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The weather on the Adriatic Sea on the eastern coast of Italy can get very rough--at times too rough for fishermen to voyage out to sea to fill their nets. About 2000 years ago, the Phoenicians invented a sort of land-based fishing machine that could catch fish even in rough seas. Although many believe this is the reason for their invention, some claim that farmers invented the structures to supplement their food supply during times of poor harvests. Whoever invented it, the trabucco (not to be confused with the same Italian word for a trebuchet, a military weapon) has become a proud part of the maritime history of Italy...
A trabucco (also, trabocco or travocc) looks like the upper parts of a sailing ship built on the craggy edge of a small prominence jutting out into the sea. To the a fan of Steinbeck stories, they might appear to have jumped right off the page from one of his stories about the fishing villages on the northern California Coast.
Essentially, a trabucco is a fishing shack with attached decks built on stilts. Nets are rigged onto long pine poles called antennae jutting out over the water and then dropped into the paths of passing schools of fish. Since schools of fish often navigate closely past such points of land, the trabucco became a very efficient method of fishing. In the early part of the 20th century, a successful trabucco could catch enough fish for up to 10 families.
Essentially, a trabucco is a fishing shack with attached decks built on stilts. Nets are rigged onto long pine poles called antennae jutting out over the water and then dropped into the paths of passing schools of fish. Since schools of fish often navigate closely past such points of land, the trabucco became a very efficient method of fishing. In the early part of the 20th century, a successful trabucco could catch enough fish for up to 10 families.
Trabucco ready to drop its nets
 Ristorante Al trabucco da Mimì on the Gargano in Peschici |  Trabucco da Mimi's decor |
Dining at a trabucco can go from rustic to casual to fine dining and offer a most unusual experience
The seafood is always the freshest Trabucci are found along the coasts of Abruzzi (especially along the Costa dei Trabocchi, a coastal area named for them) and the rocky Gargano peninsula in Puglia where they are protected as National Monuments. Although some are still used today for fishing, they have become treasured monuments to the history of fishing in southern Italy, many being restored into seaside restaurants and bars. They can also be found along the coastlines of the southern Adriatic, especially in the provinces of Chieti, Campobasso, and Foggia and also in some parts of the coast of southern Tyrrhenian Sea on the west side of the Boot.
If you are ever in Abruzzo or in Puglia on the Gargano peninsula (a fantastic beach destination), plan on having lunch or a romantic dinner at one of these trabucci turned into eateries. It will be a high-point of your voyage and one of the most unique dining experiences of your entire life...
Here is a tripadvisor listing of trabucci restaurants. Enjoy!
Ciao!
--Jerry Finzi
If you are ever in Abruzzo or in Puglia on the Gargano peninsula (a fantastic beach destination), plan on having lunch or a romantic dinner at one of these trabucci turned into eateries. It will be a high-point of your voyage and one of the most unique dining experiences of your entire life...
Here is a tripadvisor listing of trabucci restaurants. Enjoy!
Ciao!
--Jerry Finzi
When I look at this picture, I image my Dad and his "three-legged horse" selling fruit...
Saverio, sun-worshiper This is a photo of the Hoboken, New Jersey harbor... "the docks"... in 1910. One of the busiest of its piers was where the Holland-American Line berthed its ships, bringing immigrants from Europe. At the time, Hoboken, was one of the busiest ports for immigrants entering the U.S., and Ellis Island was a short ferry trip downstream, with Manhattan seen on the other side of the Hudson River. Before reaching these docks, immigrants would pass Liberty Island where the Statue of Liberty held her welcoming torch...
My father, Saverio Finzi, emigrated to the U.S. in 1917 when he was just 4 years old, with his father, Sergio, mother Caterina (Deceglie), sister Antonia and brother Anselmo. On the same ships manifest are listed many others from my father's hometown of Molfetta in Puglia. On the ships manifest for Sergio's final trip with his family, there were no fewer than 13 passengers listed from his hometown of Molfetta.
Sergio, also had two previous voyages to American--in 1907 and 1909--and between these two other passages were listed another 20 passengers from Molfetta. Large numbers of Molfetese settled in Hoboken, making it--even to this day--the sister city of Molfetta. Both towns even celebrate matching festivals each year to honor the Madonna dei Martiri (Madonna of the Martyrs).
Life in Hoboken, although much better than life during the hard times in Southern Italy at the time, were still difficult. My father tells of walking the railroad tracks picking up pieces of coal that had fallen from the steam locomotives, and then taking them home to his mother to burn as both a source of heat and cooking in their cast iron stove. Saverio had to leave elementary school early--by the 5th grade--just so he could help support their growing family (Sergio and Caterina eventually had six children).
Later on, when he was a teenager, he and his brother bought what Dad always called his "three legged horse" (lame in one leg) and a cart so they could sell fruit to the passengers and seamen down at the harbor. He amassed a large collection of coins from perhaps a dozen or more countries from all around the world during this period. All from customers that bought fruit from him... I still have the coins today and often get them out to show my son, Lucas, from time to time.
Dad loved selling fruit and vegetables--and meeting people. Everyone loved him. He also made the most beautifully hand-written signs for the store window. He might have been a sign painter in another life. But meeting and chatting with his customers was his best attribute. Perhaps this is why he always was a fruit and vegetable man his whole life, and later on gained more skills to also become a beloved "deli-man". Some of his customers lovingly dubbed him, "My Baloney Man".
My father, Saverio Finzi, emigrated to the U.S. in 1917 when he was just 4 years old, with his father, Sergio, mother Caterina (Deceglie), sister Antonia and brother Anselmo. On the same ships manifest are listed many others from my father's hometown of Molfetta in Puglia. On the ships manifest for Sergio's final trip with his family, there were no fewer than 13 passengers listed from his hometown of Molfetta.
Sergio, also had two previous voyages to American--in 1907 and 1909--and between these two other passages were listed another 20 passengers from Molfetta. Large numbers of Molfetese settled in Hoboken, making it--even to this day--the sister city of Molfetta. Both towns even celebrate matching festivals each year to honor the Madonna dei Martiri (Madonna of the Martyrs).
Life in Hoboken, although much better than life during the hard times in Southern Italy at the time, were still difficult. My father tells of walking the railroad tracks picking up pieces of coal that had fallen from the steam locomotives, and then taking them home to his mother to burn as both a source of heat and cooking in their cast iron stove. Saverio had to leave elementary school early--by the 5th grade--just so he could help support their growing family (Sergio and Caterina eventually had six children).
Later on, when he was a teenager, he and his brother bought what Dad always called his "three legged horse" (lame in one leg) and a cart so they could sell fruit to the passengers and seamen down at the harbor. He amassed a large collection of coins from perhaps a dozen or more countries from all around the world during this period. All from customers that bought fruit from him... I still have the coins today and often get them out to show my son, Lucas, from time to time.
Dad loved selling fruit and vegetables--and meeting people. Everyone loved him. He also made the most beautifully hand-written signs for the store window. He might have been a sign painter in another life. But meeting and chatting with his customers was his best attribute. Perhaps this is why he always was a fruit and vegetable man his whole life, and later on gained more skills to also become a beloved "deli-man". Some of his customers lovingly dubbed him, "My Baloney Man".
I just had to have a deli slicing machine... He not only knew how to pick the best produce (and taught me to smell, rather than squeeze), but he could also make fantastic baked ham, fist-sized polpette (meatballs), and the most amazing roast turkey and baked lasagna. He taught me how to cook about as good as he did. I even have a deli meat slicer in my kitchen, in honor of My Baloney Man.
Hoboken must have been a wonderful place to grow up for him (my family moved out of Hoboken when I was 18 months old). He swam in the Hudson by jumping off the piers. He told me that one very cold winter, he and his pals walked all the way across the frozen Hudson River to Manhattan, spent the afternoon, and then walked back across the ice. Dad told me that he used to find "quicksilver" (the liquid metal, mercury) pouring out of cracks in the cliffs overhanging the town. And further on, the same steep cliff had an amazing inclined plane, locals called "the Wagon Lift", which my father told me used to lift horse and wagons up the cliff from Hoboken into Jersey City.
He fished for eels and caught crab from the river--and later taught me how. He loved the smell of the river, which I am certain reminded him of the hometown he described so well to me... "Molfetta was filled with white houses all around the harbor. There were always sail boats bobbing up and down and the smell of fish..."
Eventually, Lisa, Lucas and I would pay homage to Saverio by visiting Molfetta. It was just as he described it.
I wish he could have come with us... oh, that's right.
He did.
--Jerry Finzi
Hoboken must have been a wonderful place to grow up for him (my family moved out of Hoboken when I was 18 months old). He swam in the Hudson by jumping off the piers. He told me that one very cold winter, he and his pals walked all the way across the frozen Hudson River to Manhattan, spent the afternoon, and then walked back across the ice. Dad told me that he used to find "quicksilver" (the liquid metal, mercury) pouring out of cracks in the cliffs overhanging the town. And further on, the same steep cliff had an amazing inclined plane, locals called "the Wagon Lift", which my father told me used to lift horse and wagons up the cliff from Hoboken into Jersey City.
He fished for eels and caught crab from the river--and later taught me how. He loved the smell of the river, which I am certain reminded him of the hometown he described so well to me... "Molfetta was filled with white houses all around the harbor. There were always sail boats bobbing up and down and the smell of fish..."
Eventually, Lisa, Lucas and I would pay homage to Saverio by visiting Molfetta. It was just as he described it.
I wish he could have come with us... oh, that's right.
He did.
--Jerry Finzi
Grotte della Poesia (Caves of Poetry)
Deep in the Salento, the part of Puglia that shapes the heel of Italy's boot, you will find incredible natural beauty, a mostly rocky coastline with intermittent sandy beach coves, incredibly clear water and many sea caves. One of the most majestic and compelling is the Grotte della Poesia (Caves of Poetry) in the small town of Roca, a 100 foot wide sinkhole at the edge of the sea.
Roca is positioned in between San Foca and Torre dell'Orso about 35 miles south of Brindisi. Both San Foca and Toree Dell'Orso have several large beach resorts and are very crowded, especially in the month of August when Italians flock to the Salento for their summer holiday. But if you look past the rows of umbrellas, cabanas and beach chairs, you'll find both nature and ancient history here.
Grotte della Poesia is said to have been a favorite swimming spot for an ancient princess, the sight of her swimming there inspired poets--thus the name Caves of Poetry. But visitors nowadays come mainly to take leaps from its 15' cliffs into the clear waters, to scuba dive, swim from the sinkhole through an underground sea cave and back out to the sea. You can even rent a boat from nearby San Foca to get up close and personal to all the cliffs and grottoes in the area.
Roca is positioned in between San Foca and Torre dell'Orso about 35 miles south of Brindisi. Both San Foca and Toree Dell'Orso have several large beach resorts and are very crowded, especially in the month of August when Italians flock to the Salento for their summer holiday. But if you look past the rows of umbrellas, cabanas and beach chairs, you'll find both nature and ancient history here.
Grotte della Poesia is said to have been a favorite swimming spot for an ancient princess, the sight of her swimming there inspired poets--thus the name Caves of Poetry. But visitors nowadays come mainly to take leaps from its 15' cliffs into the clear waters, to scuba dive, swim from the sinkhole through an underground sea cave and back out to the sea. You can even rent a boat from nearby San Foca to get up close and personal to all the cliffs and grottoes in the area.
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Natural beauty of the sinkhole
Nearby resort beaches and the Torre dell'Orso (Tower of the Bear) and it's "Little Sisters"
 Steps carved in the tufa stone |  Aerial view of the Grotta della Poesia |
Voyagers also come for the archeological sites along the coastline. On the north side of the cove adjacent to the Grotte, you will find the archaeological site of Roca Vecchia, which is similar to Egnazia--an ancient town right at the edge of the sea. There is evidence of humans living here since the Bronze Age, along with the remains of massive walls from the 4th century BC, all the way up to structures and medieval walls dated to the fourteenth century AD. The site was used almost exclusively for the purpose of worship before the construction of the city itself. Rare inscriptions, animal sacrifices and other inscriptions have been found in a smaller sinkhole next to Grottta della Poesia with the name Little Poetry. You can wander through the old walls of the past and then head over to the Grotte for a swim and lots of sun.
Roca Vecchia architectural site
If you enjoy beach resorts, there are plenty to choose from, otherwise you can rent a bare boat charter for visiting the area, or rent an apartment or hotel room in either nearby San Foca or Torre Dell'Orso, the former being a well-equipped port town with shops, restaurants and markets. Or stay in or near Lecce as your hub... often considered to be the "Florence of the South" with it's 17th century baroque architecture.
In any event, taking the time to discover the rugged, natural coastline of the Salento will give you the experience of a lifetime...
Buon viaggio!
--Jerry Finzi
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In any event, taking the time to discover the rugged, natural coastline of the Salento will give you the experience of a lifetime...
Buon viaggio!
--Jerry Finzi
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A bread's-eye view of Vito at the Forno You will find Antico Forno Santa Chiara in the southern region of Puglia behind the walls of Altamura, where their world famous Altamura bread is made. In fact, Altamura bread can only be made in Altamura... it has D.O.P. designation and is under strict standards to be able to use the name "Altamura" bread.
Vito Macella, is the owner, baker and a bit of pirate and showman. He loves to show off his historic forno (oven) that dates from 1423. His is one of of the first public ovens in Altamura, used for cooking meats, biscuits, pretzels and other Pugliese baked specialties, and of course, the famous Altamura Bread. A short walk inside the walls of the historic center and you'll come to the Forno. You can park your car on the Corso Vittorio Emanuale II just outside of the old arched porto where Via Madonna dei Martiri begins. Take a stroll three intersections until Via Corte D'Appello and then you'll see tiny Via Luca Martucci on your left. It's really like a very small piazza with the Forno Antico at the back left corner. You'll probably see a large round table outside with an umbrella over it. There might be people sitting, chatting and eating. Sit with them and join in.
When Vito comes out to greet you, tell him you would like una degustazione (a tasting) of whatever he feels like putting in front of you. Depending on what he baked that day, and what other local ingredients he had to create with, he might bring you a plate of antipasto, focaccia, squares of pizza, olives, tomatoes, tiny bocconcin (mozzarella balls), sliced caciocavallo cheese, prosciutto, lardo, or carpaccio--paper thin slices of raw veal marinated in red wine. Oh, of course, he'll always have some of his Altamura Bread for you to taste. We consider unexpected lunch we had at the Forno as one of the best we ate in all of Italy.
Vito Macella, is the owner, baker and a bit of pirate and showman. He loves to show off his historic forno (oven) that dates from 1423. His is one of of the first public ovens in Altamura, used for cooking meats, biscuits, pretzels and other Pugliese baked specialties, and of course, the famous Altamura Bread. A short walk inside the walls of the historic center and you'll come to the Forno. You can park your car on the Corso Vittorio Emanuale II just outside of the old arched porto where Via Madonna dei Martiri begins. Take a stroll three intersections until Via Corte D'Appello and then you'll see tiny Via Luca Martucci on your left. It's really like a very small piazza with the Forno Antico at the back left corner. You'll probably see a large round table outside with an umbrella over it. There might be people sitting, chatting and eating. Sit with them and join in.
When Vito comes out to greet you, tell him you would like una degustazione (a tasting) of whatever he feels like putting in front of you. Depending on what he baked that day, and what other local ingredients he had to create with, he might bring you a plate of antipasto, focaccia, squares of pizza, olives, tomatoes, tiny bocconcin (mozzarella balls), sliced caciocavallo cheese, prosciutto, lardo, or carpaccio--paper thin slices of raw veal marinated in red wine. Oh, of course, he'll always have some of his Altamura Bread for you to taste. We consider unexpected lunch we had at the Forno as one of the best we ate in all of Italy.
In this unassuming little piazza, you'll find the door in the back corner for the Forno
Inside the doors of the Forno you can see Vito at work at his rustic oven. The stacks of wood are what he uses--early each morning--to fire up this massive cavern. It takes lots of hard work and many hours to get the mass of stone inside the oven up to temperature. The bread of Altamura is made according to traditional methods and with high quality, local ingredients, the two most important (as Vito told me) being the water and the local Durham flour. Altamura bread was the the first product in Europe to bear the D.O.P. logo in the category "Bakery and baked goods". No wonder--it's such a special bread. The loaves are quite large with a shape like a floppy chef's hat or a sort of fat beret. It is airy and full of bubbles inside with a dark brown crust nearly 1/4 inch thick. Unlike Tuscan bread, they use salt in Altamura Bread, so there's loads of flavor. One more thing: The bread can stay fresh for weeks... some say for a month! A loaf we bought Vito's bakery lasted up for several days all the way back to Rome.
But again, there's more than just the bread to experience here. Vito offers the biggest dose of Southern Italian hospitality that anyone can find. He is charming, roguish, funny and inviting. You'll meet his kids and sit with strangers talking many languages, but somehow you will all be friends in the end. By all means, buy some bread and other treats here, but just soak in the atmosphere, the personalities and the wine.
Don't pass by Altamura. You won't be disappointed.
--Jerry Finzi
If you enjoyed this post, please, please, please, tell all your friends about us. Grazie.
Don't pass by Altamura. You won't be disappointed.
--Jerry Finzi
If you enjoyed this post, please, please, please, tell all your friends about us. Grazie.
Masseria Nonno Tore in the Salento
In Northern Italy, if you want to experience the rustic charm, fresh air and home grown richness of Italian food, you find an agriturismo to stay in. We stayed in two in Tuscany--one which was family owned and run and who grew and produced their own wine and olive oil. The other was a more bastadized, corporate owned affair, caharging extra for vineyard tours and tastings, with an over priced little restaurant on site and overpriced low quality "tourist wine". There are still others who are much more authentic--and where you can participate in taking care of animals, tending crops or making cheese, pasta and such. When traveling in Southern Italy the equivalent is staying in a masseria.
Most masserie are very old... built between the 1500-1600s when Spain ruled the South. A masseria is a rather large farm complex to house not only the landowners, but also the peasants who tended the crops and farm animals. The complex usually included several other specialty buildings to house animals, to store crops, to make wine or cheese, etc. Some masseria developed into essentially small villages surrounded and protected high walls with a central courtyard surrounded by all the other structures.
Many of the masserie today have been renovated and turned into vacation rentals and are mostly found in Puglia, in eastern Campania, on the plateau--or Murgia--of Basilicata, in Calabria, and in Sicily, Abruzzo and Molise. A masseria gives Voyagers a vacation that combines nature, local culture and home-grown (or Slow Food) cuisine with all the creature comforts of a world class vacation rental. You'll find modern plumbing, air conditioning (although often not as cool as we Americans would like it) and internet (slow or limited wireless connections due to thick walls), and satellite TV (often limited on station offerings). Some of the overly developed (in my opinion) masseria even offer spa treatments, golf courses and other offerings that have little to do with saturating yourself in local flavor or customs. I'd avoid these "resort" types and search for facilities that offer a more genuine Southern Italian experience. If you find a family run masseria you will find people go out of their way to make your stay a comfortable, memorable one. That was out experience when we stayed in a similar place, a small masseria of Trulli (pointed stone houses). Southern Italians are simply more hospitable than up in the North. There, I've said it.
Most masserie are very old... built between the 1500-1600s when Spain ruled the South. A masseria is a rather large farm complex to house not only the landowners, but also the peasants who tended the crops and farm animals. The complex usually included several other specialty buildings to house animals, to store crops, to make wine or cheese, etc. Some masseria developed into essentially small villages surrounded and protected high walls with a central courtyard surrounded by all the other structures.
Many of the masserie today have been renovated and turned into vacation rentals and are mostly found in Puglia, in eastern Campania, on the plateau--or Murgia--of Basilicata, in Calabria, and in Sicily, Abruzzo and Molise. A masseria gives Voyagers a vacation that combines nature, local culture and home-grown (or Slow Food) cuisine with all the creature comforts of a world class vacation rental. You'll find modern plumbing, air conditioning (although often not as cool as we Americans would like it) and internet (slow or limited wireless connections due to thick walls), and satellite TV (often limited on station offerings). Some of the overly developed (in my opinion) masseria even offer spa treatments, golf courses and other offerings that have little to do with saturating yourself in local flavor or customs. I'd avoid these "resort" types and search for facilities that offer a more genuine Southern Italian experience. If you find a family run masseria you will find people go out of their way to make your stay a comfortable, memorable one. That was out experience when we stayed in a similar place, a small masseria of Trulli (pointed stone houses). Southern Italians are simply more hospitable than up in the North. There, I've said it.
Masseria Brancati near Ostuni, Puglia
Masseria il Frantoio, Ostuni, Puglia When staying at a masseria, you will get the feel of a farm along with a definite level of comfort found on a country estate. I think this is a great way for Southern Italians (if they are the ones who developed and run the properties) to preserve and reuse these historic structures, along with preserving this period of history in Southern Italy. If you decide to book a stay in a masseria, you will most likely be welcomed like family members, sample their own olive oil and wine and even cheese made on these farms (beware of Ricotta Forte!). You will also learn about the local culture and history--of Puglia, Basilicata or Campania.
Owners will often join guests for home-cooked dinners using products from the farms... many types of pasta with vegetables, parmigiana di melanzana, seafood (the sea is all around in the South), pizza made in outdoor wood ovens, roasted vegetables, insalata caprese, polpette (meatballs) or beefsteak, home made breads (they use salt in Southern bread, unlike the Tuscan breads), thick jam-like honey, and to drink... good Southern varieties of red wine (Primativo is out favorite!). I strongly suggest looking for an organic masseria that uses no chemicals to grow their olive trees, vines, cherries, almonds, and vegetables. You will not believe how simply food can taste so damned wonderful. Imagine having a real Italian family meal—excellent, simple fare pared with a great local wine and great, hand-waving conversation. You will never have experiences like these staying in hotels.
Owners will often join guests for home-cooked dinners using products from the farms... many types of pasta with vegetables, parmigiana di melanzana, seafood (the sea is all around in the South), pizza made in outdoor wood ovens, roasted vegetables, insalata caprese, polpette (meatballs) or beefsteak, home made breads (they use salt in Southern bread, unlike the Tuscan breads), thick jam-like honey, and to drink... good Southern varieties of red wine (Primativo is out favorite!). I strongly suggest looking for an organic masseria that uses no chemicals to grow their olive trees, vines, cherries, almonds, and vegetables. You will not believe how simply food can taste so damned wonderful. Imagine having a real Italian family meal—excellent, simple fare pared with a great local wine and great, hand-waving conversation. You will never have experiences like these staying in hotels.
Evening meal at Masseria il Frantoio
Pasta making at Masseria Panareo Some masseria offer classes in cheese making, pasta making, cooking or show you how olive oil is made. Visit in the fall and help with the harvest or grapes, almonds or olives. Some of the largest and oldest olive trees grow in the South... I took a photo of Lucas standing with a 2000 year old specimen! There are many masserie throughout the region and accommodation ranges from simple apartments to luxury suites and even trulli (circular stone huts), and most are in peaceful settings in the countryside surrounded by olive groves and vineyards. You usually need a car (rent in Bari or Naples) to access them and some can be difficult to find but it’s worth it for such unique accommodation and the opportunity to experience the warm hospitality of Southern Italians.
1500 year old olive tree
If you want to stay in an organic masseria, use those words on Google... "organic masseria" and see what you come up with. The cost for a stay in a masseria stay might run from $60 to over $200 a night per person including breakfast.
--Jerry Finzi
If you enjoyed this post and found it useful, please share out site with your friends. Grazie.
--Jerry Finzi
If you enjoyed this post and found it useful, please share out site with your friends. Grazie.
The Hoboken Italian Festival, the premier Italian-American festival in the New Jersey tri-state area, is nearly 85 years old, and is derived from the 600 year old sagre (festival) of the Madonna Dei Martiri held each year in Molfetta (Puglia), Italy. Many Italian immigrants--like my father Saverio (Sal) Finzi with his mother, father, brother and sister--came from Molfetta to Hoboken in hopes of building their new American life. This festival has merged into a celebration of Hoboken, the religious Sagre, or feast day, and to honor Italian families who came from Molfetta.
The Madonna being carried in the Hoboken festival
The festival occurs yearly, the weekend after Labor Day, for 4 days at Sinatra Park, on the historic waterfront of Hoboken, NJ. The highlight of the feast, beyond the fabulous views of the Manhattan skyline and the wide variety of foods and entertainment, is the day long procession through the streets of Hoboken, including a painstaking reenactment of the "Blessing of the Fleet" in the Hudson River, all culminating with a huge fireworks extravaganza in the evening. Sinatra Park, named after Frank Sinatra (who grew up in Hoboken and went to school with my Mother, Marie Vetri), is also where the film On The Waterfront was filmed in 1954. There is an abundance of food and music for all to enjoy.
The tradition of the Madonna Dei Martiri to the year 1399, when the King of Naples, Ladislao di Durazzo, commanded that the Sagre and the Religious celebration be combined to celebrate the “Miracle” and blessings of the Madonna. This celebration is traditionally held on September 8, which is the Universal Feast of the Nativity of Mary. The actual “Miracle” of the Madonna in 1188....
The tradition of the Madonna Dei Martiri to the year 1399, when the King of Naples, Ladislao di Durazzo, commanded that the Sagre and the Religious celebration be combined to celebrate the “Miracle” and blessings of the Madonna. This celebration is traditionally held on September 8, which is the Universal Feast of the Nativity of Mary. The actual “Miracle” of the Madonna in 1188....
Luminarie lighting up the Molfetta festival of the Madonna dei Martiri
Molfetta, situated as a port town on the Adriatic Sea, has historically been a maritime community. In 1188 a boatload of Crusaders returning from the Holy Land found the Icon of the Madonna floating on the water. They brought it to the Hospice in Molfetta which was constructed in 1162 on the orders of the Norman King, William II. The Crusaders would return to Molfetta, many of whom were wounded and dying. It is for this reason that Molfetta had built the Hospice. Those who were returned to health went on their way, while some died in Molfetta as Martyrs of the Faith. Everyone prayed to the Madonna of Martyrs who was symbolized as a Mother and Child with Angels, in a Byzantine style Icon. The Madonna in 1840 became the town’s patron along side San Corrado. Especially devoted were the fisherman who asked for her protection. Annually, the Molfettese people, where ever they are in the world, take time to celebrate this Miracle. Traditionally, there is Novena with a Mass and procession through the streets. At some point the Icon (statue) is placed on the fishing boats for veneration. A plenary indulgence is granted by the Pope to anyone who attends the Mass of the Madonna Dei Martiri and the Mass the Sunday following Easter.
The blessing of the fleet in Molfetta harbor
Lucas and me blessing ourselves in Molfetta waters in honor of my Dad
If you go:
Hoboken Italian Festival honoring the Madonna dei Martiri
Festival Dates for 2015: September 10th - 13th
The Procession is on Saturday, Sept. 12th.
--Jerry Finzi
If you enjoyed this post, please share it with your friends... grazie!
Plan of the Castel del Monte About 1500 feet above the sea on the Pugliese Murgia plateau stands a mysterious castle keep... the Castel del Monte (Castle of the Mountain). Around 1240, the Holy Roman Emperor Frederick II ordered its construction as a supposed hunting lodge, but there is no evidence that the Emperor ever used it and it seems the castle was never really completed. Oddly, it contains no normal features like other defensive castles of the period--no wall, no drawbridge, no moat, no stables. When built the area was lush with both flora and fauna, unlike the rather dry surroundings of today.
Even historians are confused about the intended use of this fortress. By the 1700s, the castle originally had marble columns and walls but the marble and its furnishings were removed. Archaeologists tell us that it was constructed on the site of a much earlier fortress. At one time Castel del Monte was used as a prison and then as a refuge during a plague until it fell into a sad state of deferred maintenance.
Although many thought it was to be used as the Emperor's "hunting lodge", scholars now believe it originally had a curtain wall and did serve as a citadel. In fact, because it is built on the highest point of the local terrain, a defending force would be able to see 360 degrees in all directions and even to the coastline 15 miles away. This fact along would suggest that in fact it was built as a military fortress, but there is no evidence of it ever being used as such.
Frederick was responsible for the construction of many castles in Puglia, but Castel del Monte's geometric design was unique. The fortress is octagonal with 8 octagon towers at the corners. Originally, the towers were taller than they currently are. Each of the main rooms have vaulted ceilings and there are three towers with staircases. Castel del Monte also has an advanced plumbing system, which used rain water for the toilets and bathrooms of the fortress.
Even historians are confused about the intended use of this fortress. By the 1700s, the castle originally had marble columns and walls but the marble and its furnishings were removed. Archaeologists tell us that it was constructed on the site of a much earlier fortress. At one time Castel del Monte was used as a prison and then as a refuge during a plague until it fell into a sad state of deferred maintenance.
Although many thought it was to be used as the Emperor's "hunting lodge", scholars now believe it originally had a curtain wall and did serve as a citadel. In fact, because it is built on the highest point of the local terrain, a defending force would be able to see 360 degrees in all directions and even to the coastline 15 miles away. This fact along would suggest that in fact it was built as a military fortress, but there is no evidence of it ever being used as such.
Frederick was responsible for the construction of many castles in Puglia, but Castel del Monte's geometric design was unique. The fortress is octagonal with 8 octagon towers at the corners. Originally, the towers were taller than they currently are. Each of the main rooms have vaulted ceilings and there are three towers with staircases. Castel del Monte also has an advanced plumbing system, which used rain water for the toilets and bathrooms of the fortress.
The courtyard
Eight seems to be a special number in its design--there are also eight rooms and an eight-sided courtyard in the center. There is much written about the possible symbolism of the octagonal design. The number 8 has secular, religious and mythological meaning; for example, the figure 8--or "lazy eight" (since it is rotated 90 degrees into a "prone" position) is used in mathematics to represent infinity; there are eight compass points; and eight is the union of divine infinity and human finiteness.
The area surrounding Castel del Monte has a DOC designation for producing red, white and rose wines with vineyards and wineries on the slopes of the surrounding area. In Europe, most people are very familiar with Castel del Monte, as they keep a picture of it in their wallets--the fortress is depicted on the reverse of the Italian 1 Euro cent coin. In 1996 UNESCO gave the the fortress a World Heritage Site designation recognizing its unique architecture and cultural importance.
Visiting: Castel del Monte is about 30 miles due west of Bari and about 15 miles from the sea.
March 1 to September 30 from 10:15 to 19:45
October 1 to February 28 from 9:00 to 18:45
(The ticket office closes 1 hour before closing)
Tickets:
Regular fee 5.00 euros, reduced fee €2.50 (18 to 25 years). Free for children under 18 and over 65 years.
--Jerry Finzi
If you liked this post, please share it with your friends... ciao!
The area surrounding Castel del Monte has a DOC designation for producing red, white and rose wines with vineyards and wineries on the slopes of the surrounding area. In Europe, most people are very familiar with Castel del Monte, as they keep a picture of it in their wallets--the fortress is depicted on the reverse of the Italian 1 Euro cent coin. In 1996 UNESCO gave the the fortress a World Heritage Site designation recognizing its unique architecture and cultural importance.
Visiting: Castel del Monte is about 30 miles due west of Bari and about 15 miles from the sea.
March 1 to September 30 from 10:15 to 19:45
October 1 to February 28 from 9:00 to 18:45
(The ticket office closes 1 hour before closing)
Tickets:
Regular fee 5.00 euros, reduced fee €2.50 (18 to 25 years). Free for children under 18 and over 65 years.
--Jerry Finzi
If you liked this post, please share it with your friends... ciao!
We've all done papier maché in grade school. Take some newspaper, add some flour and glue and smooth it all out over a balloon and we made masks. A fun kid craft, right? But how many of you know that in some parts of the world papier maché is considered a fine art? And some of the best of this art is created in Puglia, in Southern Italy...
Some Historic Notes on Paper... Mache, that is...
The roots of papier maché techniques are in both the Middle and Far East. In French, papier maché literally translates as chewed paper. Paper was invented in China in the second century AD, and papier maché was developed as a way to re-use the new material which at the time was very rare and costly. Papier maché it can be very strong but also very lightweight. With strengthening layers of varnish, it was used to make soldiers' helmets and lacquered boxes... and even furniture. With the advent of trade with the Orient, Papier Mache spread from Samarkand and Morocco until about 900 AD it spread to Spain, Germany, France and Italy. The French craftsmen made cups and snuff boxes from it, with serving platters, pots, vases and furniture being made in other countries. A very strong board could be produced by baking layered sheets or shredded paper. For even stronger products, papier maché was mixed with linseed oil before being baked.In the 17th century, successful trade between the Republic of Venice and merchants from the Salento peninsula in Puglia spurred the development of papier maché techniques in the beautiful baroque town of Lecce. The high art of Cartapesta was born...
Some Historic Notes on Paper... Mache, that is...
The roots of papier maché techniques are in both the Middle and Far East. In French, papier maché literally translates as chewed paper. Paper was invented in China in the second century AD, and papier maché was developed as a way to re-use the new material which at the time was very rare and costly. Papier maché it can be very strong but also very lightweight. With strengthening layers of varnish, it was used to make soldiers' helmets and lacquered boxes... and even furniture. With the advent of trade with the Orient, Papier Mache spread from Samarkand and Morocco until about 900 AD it spread to Spain, Germany, France and Italy. The French craftsmen made cups and snuff boxes from it, with serving platters, pots, vases and furniture being made in other countries. A very strong board could be produced by baking layered sheets or shredded paper. For even stronger products, papier maché was mixed with linseed oil before being baked.In the 17th century, successful trade between the Republic of Venice and merchants from the Salento peninsula in Puglia spurred the development of papier maché techniques in the beautiful baroque town of Lecce. The high art of Cartapesta was born...
Cartepesta as High Art
The construction of many new churches and monuments, Lecce developed a demand for religious statues, but marble for statues is only available in the northern part of Italy--not in the South. Statues needed to be created quickly and needed to be built from a lightweight material so they could easily be carried in a festival procession, or Sagra.
The Lecce craftsmen didn't possess any valuable materials, but with the help of straw, rags, plaster and a few tools, developed their craft using Cartapesta. As it turns out, Cartapesta when finished can be made to look exactly like a marble statue. Cresche scenes of the birth of Christ also became popular. Oddly enough, many of the best craftsmen were also barbers, perhaps because they already had some of the tools needed for the craft.
Today the production of Cartapesta is concentrated around Lecce. Its craftsman produce statues (many life sized) of holy subjects with particular attention paid to their flowing garments. The studio shelves are also full of peasants in charming village scenes and represent various professions like shepherds, cheese-makers, bakers and farmers. Creche scenes of the birth of Christ and angels are also popular. Puppets and marionettes are also produced using Cartapesta. Hands, feet and heads are often made from clay and married to the metal and straw armatures used in creating the Cartapesta figurines. Younger artists are producing more and more modern art with Cartapesta, some of it being very avant-garde. The best artisans even make their own paper using traditional methods which is then used on their creations.
The construction of many new churches and monuments, Lecce developed a demand for religious statues, but marble for statues is only available in the northern part of Italy--not in the South. Statues needed to be created quickly and needed to be built from a lightweight material so they could easily be carried in a festival procession, or Sagra.
The Lecce craftsmen didn't possess any valuable materials, but with the help of straw, rags, plaster and a few tools, developed their craft using Cartapesta. As it turns out, Cartapesta when finished can be made to look exactly like a marble statue. Cresche scenes of the birth of Christ also became popular. Oddly enough, many of the best craftsmen were also barbers, perhaps because they already had some of the tools needed for the craft.
Today the production of Cartapesta is concentrated around Lecce. Its craftsman produce statues (many life sized) of holy subjects with particular attention paid to their flowing garments. The studio shelves are also full of peasants in charming village scenes and represent various professions like shepherds, cheese-makers, bakers and farmers. Creche scenes of the birth of Christ and angels are also popular. Puppets and marionettes are also produced using Cartapesta. Hands, feet and heads are often made from clay and married to the metal and straw armatures used in creating the Cartapesta figurines. Younger artists are producing more and more modern art with Cartapesta, some of it being very avant-garde. The best artisans even make their own paper using traditional methods which is then used on their creations.
A sampling of various Cartapesta figurines
Traditionally Cartapesta is pulp paper macerated in a solution of water and flour glue, tamped into a mold and boiled. The mass is then pressed to remove excess water and mixed with a solution of animal glue, pasta starch and resin. The resulting compound is applied onto a roughly shaped figure made from a wooden armature... the shape made by wrapping straw around the armature with thin wire. Then the work is left to slowly dry outdoors or in heated rooms and then hot irons tools are used to mark the folds and create the expressive details. Once coated with substances to protect it from moisture the model is ready for painting, which adds the real magic to some of these pieces.
Cartapesta decorating the Church of Santa Chiara in Lecce
Many Cartapesta masterpieces are displayed in numerous churches of Puglia and all around the world. For example, the Church of Santa Chiara in Lecce is remarkable for the Cartapesta decorations of its ceiling.
As one wanders through the streets of Lecce it’s common to come across several Cartapesta workshops showing their ready to sell statues and puppets or working on upcoming pieces of art. It’s also possible to take a Cartapesta class in several artisan studios and learn the complex process of creating your own masterpieces.
As one wanders through the streets of Lecce it’s common to come across several Cartapesta workshops showing their ready to sell statues and puppets or working on upcoming pieces of art. It’s also possible to take a Cartapesta class in several artisan studios and learn the complex process of creating your own masterpieces.
The Museum of Cartapesta in Lecce
A few minutes’ walk from Piazza Sant’Oronzo in Lecce, the Castle of Charles V is home to the Cartapesta Museum (Museo della Cartapesta). The museum displays an exhibition of the papier-mâché handicrafts along with a history of the most famous Cartapesta artists.
If you want to see an amazing display of Cartapesta artwork, you can visit the town of Massafra in Taranto where every January begins their Carnevale di Massafra, with giant papier-mâché masks and structures being paraded through town on Thursdays and Sundays until the beginning of Lent.
If you want to see an amazing display of Cartapesta artwork, you can visit the town of Massafra in Taranto where every January begins their Carnevale di Massafra, with giant papier-mâché masks and structures being paraded through town on Thursdays and Sundays until the beginning of Lent.
Carnevale di Massafra
So, the next time you get out the glue, flour and old newspapers, think creative... think like Michelangelo... think Cartapesta!
--Jerry Finzi
If you enjoyed this post, please share it far and wide... thanks for stopping by Grand Voyage Italy! Ciao!
--Jerry Finzi
If you enjoyed this post, please share it far and wide... thanks for stopping by Grand Voyage Italy! Ciao!
I could picture my Dad sitting right here with these gents. A Molfetta social club.
Lucas and I blessing in Molfetta waters. After a long day with caves, bread and sinkholes we finally made it into Molfetta, a surprisingly big city nowadays 10 miles away from the even bigger city of Bari where we would return the Volvo and catch the high speed train to Roma. At first, Tommy drove us through some weird little streets (some barely wide to make a turn around a corner!), but I straightened him out with my own sense of direction.
We then pulled right up to the port next to the Duomo where our apartment waited... above a restaurant and tabacchi shop where we had to check in. The man in the tabacchi was very nice, especially when I mentioned my dad being Molfetese... then he talked about people he knew in Hoboken! The two towns are twins in the eyes of Molfetese and share the same patron saint and festival day, the Madonna di Materi.
The location of the apartment could not have been better... right on the port, view of the harbor, next to the Duomo and its bells, and part the historic old center, or centro storico. It was one flight up with a door on a tiny alley through an archway in the old building.
The apartment itself was a stark contrast to the 500 year old building it was in... ultra modern, sleek, kitchen, bath, even a laundry with dryer. I went straight to our balcony and soaked in the view. There was a pot garden on the balcony with limes and kumquats on the trees. The harbor is beautiful... as my Dad told me, lots of fishing and sail boats, the buildings all white, and the smell of the sea. Many still use wooden boats with a stand up paddling technique using two long oars. I spoke to my Dad... we made it, Pop. I could feel him.
Lisa went into laundry mode, cleaning what we needed for our last week before heading home. The trouble is, these machines are not like our washing machines. It took way too long and the dryer kept shutting down every few minutes. While she was busy and since it was late in the day, Lucas and I hit the twilight streets of Molfetta for the first time on a quest for dinner supplies.
We walked to the main street named for their saint, Madonna di Matieri, looking for an alimentari for pasta, cheese, wine and anything else we could make dinner with. The street was lit up and lively, but definitely not touristy. This is a local scene. One church (there are four on this street alone, not counting the Duomo around the corner on the harbor) was busy with a service... singing and all. Men were sitting in front of various clubs and organizations... veterans of war, political parties, the festival committee, fishermen, etc. Some were playing that odd southern card game we saw back in Castelmezzano, using baroque looking cards without numbers. Many people were just out for pasagiata--the evening walk.
We talked to several people, asking directions and the like... no matter who we spoke to they were always very friendly with a big southern smile...kind of like my Dad always had. The contrast from northern Italians is obvious. Northerners are more businesslike, curt and talk fast with immaculate pronunciation. Southerners seem happy, casual and talk with that southern garble, smoothing off all the sharp edges of words. In fact, hearing the Molfetese dialect reminded me of when my Dad spoke Italian. I had almost forgotten what he sounded like, but these people are bringing back memories. Dialects can change down here from town to town, village to village. As I am writing this while already in Rome, I can tell you how on the train from Bari the announcements were in three languages... Italian, English and southern dialect. They are distinctly different.
Lucas and I bonded that night... he felt the town the way I did. He kept squeezing my hand and telling me how glad he was to be here with me. He had a glowing smile on his face all through our walk. What a son.
We found an alimentari and brought the goodies back to the apartment to make a simple dinner of pasta, sauce, cheese, wine and focaccia. We even had a surprise for Lisa... a take-out liter container of gelati for dessert. A simple meal, but again... one of the better ones. By the way, all around Italy we've been buying very good bottles of wine in alimentari for 3-4 Euros... less than five dollars. They have all been good. Even the house wines in restaurants have been fine.
The next morning we didn't have much time since we had return the car and catch a train in Bari for Rome. But we did have a couple of hours to take a stroll around the centro storico, take pics and imagine my Dad and grandfather here. I imagined my grandfather living in the historic section because it was close to the port--he was a sailor. As we watched the early morning activities of the residents today, I imagined my ancestors doing the same sorts of things... hanging wash on their balconies, sweeping the already pristine marble streets, hosing off the steps, walking the dog, watering the plants and spices growing on the balconies, or simply sitting and getting some morning sun.
Maybe I'm being romantic about it, but in Molfetta we found the most real lifestyle in Italy. Simple, honest, clean, and robust. For the first time we've actually seen people with well fed bellies... the people in the north are amazingly skinny in comparison. These people love life, simple as it may be.
We headed over to the old fish market which looked very lively, but Lucas couldn't take the fish smell, so we walked the harbor wall on the way back to the apartment. Lucas and I went down the marble steps to the water and both cupped some Adriatic water and blessed ourselves in honor of Angel Grandpa, as we call my Dad.
When checking out, yet another man at the tabacchi talked about Hoboken and the link with people in Molfetta and said of my Dad that he is part of our bodies... pointing to me and Lucas and touching a hand to his heart. His big southern smile choked me up as we said our goodbyes.
Yea, Dad... we made it... with you.
Jerry Finzi, Sal's son.
We then pulled right up to the port next to the Duomo where our apartment waited... above a restaurant and tabacchi shop where we had to check in. The man in the tabacchi was very nice, especially when I mentioned my dad being Molfetese... then he talked about people he knew in Hoboken! The two towns are twins in the eyes of Molfetese and share the same patron saint and festival day, the Madonna di Materi.
The location of the apartment could not have been better... right on the port, view of the harbor, next to the Duomo and its bells, and part the historic old center, or centro storico. It was one flight up with a door on a tiny alley through an archway in the old building.
The apartment itself was a stark contrast to the 500 year old building it was in... ultra modern, sleek, kitchen, bath, even a laundry with dryer. I went straight to our balcony and soaked in the view. There was a pot garden on the balcony with limes and kumquats on the trees. The harbor is beautiful... as my Dad told me, lots of fishing and sail boats, the buildings all white, and the smell of the sea. Many still use wooden boats with a stand up paddling technique using two long oars. I spoke to my Dad... we made it, Pop. I could feel him.
Lisa went into laundry mode, cleaning what we needed for our last week before heading home. The trouble is, these machines are not like our washing machines. It took way too long and the dryer kept shutting down every few minutes. While she was busy and since it was late in the day, Lucas and I hit the twilight streets of Molfetta for the first time on a quest for dinner supplies.
We walked to the main street named for their saint, Madonna di Matieri, looking for an alimentari for pasta, cheese, wine and anything else we could make dinner with. The street was lit up and lively, but definitely not touristy. This is a local scene. One church (there are four on this street alone, not counting the Duomo around the corner on the harbor) was busy with a service... singing and all. Men were sitting in front of various clubs and organizations... veterans of war, political parties, the festival committee, fishermen, etc. Some were playing that odd southern card game we saw back in Castelmezzano, using baroque looking cards without numbers. Many people were just out for pasagiata--the evening walk.
We talked to several people, asking directions and the like... no matter who we spoke to they were always very friendly with a big southern smile...kind of like my Dad always had. The contrast from northern Italians is obvious. Northerners are more businesslike, curt and talk fast with immaculate pronunciation. Southerners seem happy, casual and talk with that southern garble, smoothing off all the sharp edges of words. In fact, hearing the Molfetese dialect reminded me of when my Dad spoke Italian. I had almost forgotten what he sounded like, but these people are bringing back memories. Dialects can change down here from town to town, village to village. As I am writing this while already in Rome, I can tell you how on the train from Bari the announcements were in three languages... Italian, English and southern dialect. They are distinctly different.
Lucas and I bonded that night... he felt the town the way I did. He kept squeezing my hand and telling me how glad he was to be here with me. He had a glowing smile on his face all through our walk. What a son.
We found an alimentari and brought the goodies back to the apartment to make a simple dinner of pasta, sauce, cheese, wine and focaccia. We even had a surprise for Lisa... a take-out liter container of gelati for dessert. A simple meal, but again... one of the better ones. By the way, all around Italy we've been buying very good bottles of wine in alimentari for 3-4 Euros... less than five dollars. They have all been good. Even the house wines in restaurants have been fine.
The next morning we didn't have much time since we had return the car and catch a train in Bari for Rome. But we did have a couple of hours to take a stroll around the centro storico, take pics and imagine my Dad and grandfather here. I imagined my grandfather living in the historic section because it was close to the port--he was a sailor. As we watched the early morning activities of the residents today, I imagined my ancestors doing the same sorts of things... hanging wash on their balconies, sweeping the already pristine marble streets, hosing off the steps, walking the dog, watering the plants and spices growing on the balconies, or simply sitting and getting some morning sun.
Maybe I'm being romantic about it, but in Molfetta we found the most real lifestyle in Italy. Simple, honest, clean, and robust. For the first time we've actually seen people with well fed bellies... the people in the north are amazingly skinny in comparison. These people love life, simple as it may be.
We headed over to the old fish market which looked very lively, but Lucas couldn't take the fish smell, so we walked the harbor wall on the way back to the apartment. Lucas and I went down the marble steps to the water and both cupped some Adriatic water and blessed ourselves in honor of Angel Grandpa, as we call my Dad.
When checking out, yet another man at the tabacchi talked about Hoboken and the link with people in Molfetta and said of my Dad that he is part of our bodies... pointing to me and Lucas and touching a hand to his heart. His big southern smile choked me up as we said our goodbyes.
Yea, Dad... we made it... with you.
Jerry Finzi, Sal's son.
The view of Molfetta harbor from our apartment.
Relaxing morning in Molfetta
Next we headed on to pay homage to my father, Saverio (Sal) Finzi. We are paying a visit to his birthplace, the Adriatic port town of Molfetta. Thousands of immigrants left Molfetta and traveled to America--like my grandfather, grandmother and their 3 children--and settled in Hoboken, New Jersey, another port town. My Dad was 3-1/2 years old when he came over. My grandfather, Sergio Finzi, was a sailor and had been to the U.S. before--It was 1917 and he was finally bringing his family to his new world. More to tell about my Molfetta experience a bit later. Right now we are traveling at about 135 mph on a high speed train, the La Frecciargienta, closing in on Rome's Tiburtina Station... sure to be a stressful experience until we locate the driver we hired to meet us there...
Sorry for the delay in my posts. We have not had any Internet for the last couple of days. (We are currently in Rome and catching up on the postings.)
--Jerry F.
Sorry for the delay in my posts. We have not had any Internet for the last couple of days. (We are currently in Rome and catching up on the postings.)
--Jerry F.
A panoramic view of the Altamura Sinkhole crater.
By the way, even though we are now well away from the trullo region, we are now seeing more and more ancient forms of trulli... cone shaped piles of rock burial tombs, and stone dwellings with stepped dome shapes (less pointed than a trullo). All very old and ancient--their stones weathered and lichen covered. The dwellings are obvious--they are taller. The tombs are often fairly low to the ground and clustered together.
There are also other types of ruins commonly seen in this area of Italy. The Poste--surrounded on all sides by dry laid stone walls--were used for centuries by shepherds to protect their flocks from predators and weather. The other type is called the Jazzo (jazzi, plural), for sheep farms. It's a good thing that this area is a national park which protects these treasures. The sad thing is that some species are endangered or have disappeared altogether... like the Egyptian Vulture.
There are also other types of ruins commonly seen in this area of Italy. The Poste--surrounded on all sides by dry laid stone walls--were used for centuries by shepherds to protect their flocks from predators and weather. The other type is called the Jazzo (jazzi, plural), for sheep farms. It's a good thing that this area is a national park which protects these treasures. The sad thing is that some species are endangered or have disappeared altogether... like the Egyptian Vulture.
A Google Earth view of the sinkhole. We then drove to the other side of Altamura... out into the Alta Murgia, the gently rolling plateau where I surprised Lucas with the gigantic Altamura Sinkhole. (Lucas had become quite the sinkhole expert after a recent science fair.) We were all shocked at the vastness of the thing as we pulled up to the rim of the ancient crater. It was about half a mile wide and about 500 feet deep. It collapsed thousands of years ago and provided homes to primitive man in the caves just under its rim. The reason it collapsed is the structure of the Murgia itself. This is a karst region, geologically speaking. That means the limestone structure underground is filled with caves, many sometimes collapse causing a sinkhole. We were all amazed. Lucas and I decided to roll a boulder down and see if we could hit the bottom. It stopped halfway down on a ledge... and I threw a muscle lobbing it in.
Google Earth's aerial view of an ancient complex of trulli ruins and stone walls surrounded by cultivated fields.
One more thing. Today I finally saw my first hoopoe bird close-up... a woodpecker sort of bird with long tail, curved beak and a flashy comb on top of his head. When they fly all you see is a flash of black and white and that crazy comb. The Alta Murgia National Park is one of the little known wonders in Italy--a nature lover's delight. You see, there's a lot more to Italy besides the Leaning Tower, gondolas or the Trevi Fountain. A whole lot more. I've fallen in love with the Natura d'Italia.
--Jerry F.
--Jerry F.
The famous Altamura Bread.
Lisa and Lucas with some new friends. Vito (wearing hat) is the baker).
Lucas at the Forno. The dinosaur site was just outside of the historic walled town of Altamura where we heard tales of their famous semolina bread with a meaty texture that could last for a month. I parked outside the arched port in the old town wall which I knew was close to one of the oldest panifico (bakeries) in Italy... the 500 year old Forno Antica. A direction from a passerby and a couple of minutes later and we found it... in a tiny piazza tucked into the alleys of the citta (city).
We entered the centuries old little panifico and met Vito, a mostached, bearded pirate of a baker with a robust personality. His oven was rustic and fed by olive tree logs. Huge loaves of chef hat shaped breads were all around. When I asked about the bread he suggested a tasting--una degustastione--of not just bread, but of all sorts of foreign delights. Dio mio! Are we about to have a lunch... and actually at lunchtime?!
He led us out to a single umbrella covered tavalo (table) where two other couples were already enjoying a feast. We sat, introduced ourselves and began one of the best meals we've had so far. The conversation ranged from English to French to Portugese to Italian. Lucas loved the experience and they all loved him. Then came the food. Bruschetta, pasta, crostini cheeses, wine carpaccio and the bread... that great bread. Lucas ate with gusto and was amazed when he learned later that the carpaccio he had was raw, marinated veal... and he liked it! It was obvious to all that Lucas was no typical MacDonalds American kid.
Afterwards we all took pictures, hugged like old friends and left with bread, full bellies and a great memory. THIS was exactly the kind of European experience I wanted to share with Lisa and Lucas....
Watch the video below which features Vito's bakery.
--Jerry F.
P.S. If you enjoyed reading this post, please LIKE us on Facebook and SHARE it with friends who might be interested. Gratzie!
We entered the centuries old little panifico and met Vito, a mostached, bearded pirate of a baker with a robust personality. His oven was rustic and fed by olive tree logs. Huge loaves of chef hat shaped breads were all around. When I asked about the bread he suggested a tasting--una degustastione--of not just bread, but of all sorts of foreign delights. Dio mio! Are we about to have a lunch... and actually at lunchtime?!
He led us out to a single umbrella covered tavalo (table) where two other couples were already enjoying a feast. We sat, introduced ourselves and began one of the best meals we've had so far. The conversation ranged from English to French to Portugese to Italian. Lucas loved the experience and they all loved him. Then came the food. Bruschetta, pasta, crostini cheeses, wine carpaccio and the bread... that great bread. Lucas ate with gusto and was amazed when he learned later that the carpaccio he had was raw, marinated veal... and he liked it! It was obvious to all that Lucas was no typical MacDonalds American kid.
Afterwards we all took pictures, hugged like old friends and left with bread, full bellies and a great memory. THIS was exactly the kind of European experience I wanted to share with Lisa and Lucas....
Watch the video below which features Vito's bakery.
--Jerry F.
P.S. If you enjoyed reading this post, please LIKE us on Facebook and SHARE it with friends who might be interested. Gratzie!
A few of the two thousand dinosaur footprints at the bottom of an abandoned quarry near Altamura. After Castellana di Grotte I wanted to surprise Lucas with something else incredible... but not all well laid plans come to life. We drove a stark landscape via my lat long coordinates to a quarry where they recently discovered thousands of dinosaur footprints of several species. But when we got there a locked gate prevented us from entering the site. It seems the site is in transition... a half built visitor center and a locked gate. A nearby railroad worked told me the only way to visit is to make an appointment with the owner of the land who lived in a nearby town. Darn... that would have been cool... but we are very short on time today...
Nearby there is another ancient find that you need an appointment to visit... the Altamura Man. He is a 130,000 year old ancient Homo Sapiens species whose fossilized bones were found in situ in a cave near Altamura. There is really a ton of ancient history in this area.
--Jerry F.
Nearby there is another ancient find that you need an appointment to visit... the Altamura Man. He is a 130,000 year old ancient Homo Sapiens species whose fossilized bones were found in situ in a cave near Altamura. There is really a ton of ancient history in this area.
--Jerry F.
Altamura Man
The main chamber in the grotto is La Grave (the Abyss) and is 60 meters tall and 100 meters long.
The crowd on our tour. In the morning, we finished breakfast at our trullo, said goodbye to our host, and drove on to Castellana di Grotte, a cavern system in Puglia. When we arrived, Lucas felt sick, so we delayed our tour until he felt better...a mild case of twisty road car sickness. A cool drink and lemon gelato pop put things right and he was good to go.
Rather than walking down hundreds of steps with the main group, we opted to take the elevator with the other folks with mobility issues, which saved our legs for the rest of the tour. (A bit embarrassing since the rest were very old people with pretty severe walking problems). We didn't know that they'd make us walk uphill and around to the highest point on the Grotte property where the elevator shaft stuck up above everything. We had already walked down to the entrance, then Lucas felt ill so we had to walk way up to where the snack bar was, then back down to the entrance waiting on line for 20 minutes (even though it was late for the time of our tour) and now we were going way back up. Sigh. The cave itself had lots of steps anyway and fairly steep and slippery paths, both upwards and down.
The main cavern is a 180-foot tall bubble in the earth...with a 50-foot wide oculus on top, letting the sun shine in. We went through four huge chambers and loads of side passages...stalagmites, stalactites, huge columns, bizarre shapes...all colorful and strange. Lisa thought Luray caverns was better, but Lucas and I were wowed.
They only allowed pictures in the first chamber (an arbitrary rule), after that, the tour guides turned on their jailhouse charm...watching us like hawks and threatening to end the tour if anyone snapped a pic. They even came after Lucas at one point as the tour started and he was still taking pics beyond some imaginary point of NO PHOTOS. Ridiculous. I'm a professional photographer and this stuff always gets me--especially for amateur shots. A pro might bring lots of equipment and tripods, flash units, etc.... and they have a means to earn money on the photos. But amateurs don't typically earn money at all, so when tourist places forbid picture-taking the only reason is they want to ensure purchases of their own promo materials... books, postcards and the like. These rules are silly.
Anyway... We made it out alive, but my knees sure didn't. By the way, anyone visiting this cave should know that while it is a bit cool, at least during this warm October the humidity was very high and sweating was unavoidable.
--Jerry F.
Rather than walking down hundreds of steps with the main group, we opted to take the elevator with the other folks with mobility issues, which saved our legs for the rest of the tour. (A bit embarrassing since the rest were very old people with pretty severe walking problems). We didn't know that they'd make us walk uphill and around to the highest point on the Grotte property where the elevator shaft stuck up above everything. We had already walked down to the entrance, then Lucas felt ill so we had to walk way up to where the snack bar was, then back down to the entrance waiting on line for 20 minutes (even though it was late for the time of our tour) and now we were going way back up. Sigh. The cave itself had lots of steps anyway and fairly steep and slippery paths, both upwards and down.
The main cavern is a 180-foot tall bubble in the earth...with a 50-foot wide oculus on top, letting the sun shine in. We went through four huge chambers and loads of side passages...stalagmites, stalactites, huge columns, bizarre shapes...all colorful and strange. Lisa thought Luray caverns was better, but Lucas and I were wowed.
They only allowed pictures in the first chamber (an arbitrary rule), after that, the tour guides turned on their jailhouse charm...watching us like hawks and threatening to end the tour if anyone snapped a pic. They even came after Lucas at one point as the tour started and he was still taking pics beyond some imaginary point of NO PHOTOS. Ridiculous. I'm a professional photographer and this stuff always gets me--especially for amateur shots. A pro might bring lots of equipment and tripods, flash units, etc.... and they have a means to earn money on the photos. But amateurs don't typically earn money at all, so when tourist places forbid picture-taking the only reason is they want to ensure purchases of their own promo materials... books, postcards and the like. These rules are silly.
Anyway... We made it out alive, but my knees sure didn't. By the way, anyone visiting this cave should know that while it is a bit cool, at least during this warm October the humidity was very high and sweating was unavoidable.
--Jerry F.
A tiny Piazza in Locorotondo, Puglia.
The second day we started out from our trullo and first found ourselves strolling the shady, cool narrow streets of the town of Locorotondo... one of the gorgeous white hilltowns Puglia is famous for. The white comes from the white tufa stone in the region... and white marble. It also is from the Greek roots of southern Italy. The Greeks ruled here long before the Romans and at times we felt like we were in Greece. The pot gardens around every corner were lush. We enjoyed wide vistas from a little park... then gelato to refresh us instead of lunch (everything closed at lunchtime!) Afterwards we drove to the coast and saw the Adriatic Sea for the first time. Low rocky, rugged coastline peppered with grottoes, little beach coves and palm trees. The cleanest water I've seen.
Ignazia olive trees, some more than half a millennium old.
We wound up at Egnazia, an archaeological site at the edge of the sea with ruin of a 2600 year old Messopotamian civilization and a Roman town from 200 bc. There was also an excellent museum with urns, glass, jewelry, sculptures and everyday objects almost three millennium old. Lucas got some ideas for his next pottery class and bought some gifts for classmates.
By evening we came upon Polignano a Mare... a great old town with ancient historic center on the sea. Its best feature is the little beach tucked down between sea cliffs below the bridge through town. We parked a few blocks in from the sea and walked around a bit in the Centro Storico. It was around 6 or so and we had to wait an hour and a half for any restaurant to open for dinner. We found an artisan pizza restaurant right across from the beach, but they weren't open yet. (La Terrazza) The kind waitress let us sit at a side table and have drinks and snacks before they opened. Then we finally had our pizzas--individual pizzas that filled our plates and our bellies. Lucas had one with hot sausage on it, Lisa had eggplant and grana padano cheese, mine had sweet sausage, pesto and pignoli nuts. By far the best pizzas we've had in Italy so far.
It took us an hour or so to drive back up the windy roads to the plateau where our trullo house was. We tucked ourselves in our trullo and slept dreaming of Romans, the sea, grottoes, and pizza...
--Jerry F.
It took us an hour or so to drive back up the windy roads to the plateau where our trullo house was. We tucked ourselves in our trullo and slept dreaming of Romans, the sea, grottoes, and pizza...
--Jerry F.
The view of Matera sassi from inside a paleolithic cave across the canyon.
Just after we took this picture Lucas notices the large dish moving...
Crushed car sculpture. Before leaving Matera we drove across the canyon to get a look back at the cave city. But first, a stop at an outdoor sculpture park where Lucas' favorite was an old Italian car crushed between two boulders about 60 feet up in the air. Wild.
Then we drove to a spot overlooking the canyon. As we drove into a wide parking field at the edge of the canyon, I saw another of the dreaded parking lot scammers... waving for me to park where HE commanded. I didn't drive toward him and went right to the edge of the canyon to park. When I got out of the car, he started claiming that it was too "pericoloso" (dangerous), even though there were others parked there. Mind you, this is a parking area in a free, national park. He got upset when he realized he wasn't going to get a parking "tip" from me and seemed to disappear (just like the one in Florence... must be in the same union).
The gravina looked like a little Grand Canyon with cave homes clinging to the mountain above the gorge. A wide stream was far below. We explored some ancient caves that people had lived in tens of thousands of years ago... and saw a cave church. Both lizards and blue shirted Italian boy scouts darted about.
On the road again, I had a quick stop for Lucas that I thought might interest him. The Italian Space Agency had a radio telescope research facility nearby... with several large telescopes. I had heard there was an exhibit inside the facility but we were not allowed in. Perhaps it's only for Italian school trips. Still it was great to be up close to these large devices.
Then we drove to a spot overlooking the canyon. As we drove into a wide parking field at the edge of the canyon, I saw another of the dreaded parking lot scammers... waving for me to park where HE commanded. I didn't drive toward him and went right to the edge of the canyon to park. When I got out of the car, he started claiming that it was too "pericoloso" (dangerous), even though there were others parked there. Mind you, this is a parking area in a free, national park. He got upset when he realized he wasn't going to get a parking "tip" from me and seemed to disappear (just like the one in Florence... must be in the same union).
The gravina looked like a little Grand Canyon with cave homes clinging to the mountain above the gorge. A wide stream was far below. We explored some ancient caves that people had lived in tens of thousands of years ago... and saw a cave church. Both lizards and blue shirted Italian boy scouts darted about.
On the road again, I had a quick stop for Lucas that I thought might interest him. The Italian Space Agency had a radio telescope research facility nearby... with several large telescopes. I had heard there was an exhibit inside the facility but we were not allowed in. Perhaps it's only for Italian school trips. Still it was great to be up close to these large devices.
Trulli can have shaped finials on top. This is one of my favorites. We then told Tommy to head toward our Trullo rental...
Trullo facts: Trullo = one. Trulli = more than one. They say that the people in this region designed trulli around 1400 to get out of paying taxes (sounds like modern Italians) because a distant ruler raised taxes on permanent houses. A trullo traditionally was built using no mortar, so when the tax man came visiting they would dismantle the trullo. I'm not so sure about that because there are more ancient tombs and more rounded trullo looking structures that might be an earlier version. Besides, it would have been a huge effort to completely dismantle and then reassemble even a dry laid stone structure. It might simply be a method of dealing with the very strong seasonal winds that can plague the Adriatic coastline--wind won't blow down a pointy, cone shaped roof. For the same reason church steeples on the Côte d'Azur are made from filigree ironwork and not brick or stone. Many trulli have ancient symbols painted on their cones... some early Christian, some pagan, some zodiac. These are supposed to protect the home. Trulli are often made of us more than one connected trullo and the rooms inside have tall pointed ceilings--keeping them cool in the hot months.
As we got closer to trullo country, the roads closed in with white rock walls on either side... like they have in Ireland or England. The fields contained horses, olive trees--more olives down here than anywhere else in Italy--or crops of various salad greens. There are vineyards too. This part of Puglia makes most of the country's wine. Some fields had been harvested and fresh manure was spread, reminding me of the spring back home, except this is October and they must be preparing for a winter crop.
Trullo facts: Trullo = one. Trulli = more than one. They say that the people in this region designed trulli around 1400 to get out of paying taxes (sounds like modern Italians) because a distant ruler raised taxes on permanent houses. A trullo traditionally was built using no mortar, so when the tax man came visiting they would dismantle the trullo. I'm not so sure about that because there are more ancient tombs and more rounded trullo looking structures that might be an earlier version. Besides, it would have been a huge effort to completely dismantle and then reassemble even a dry laid stone structure. It might simply be a method of dealing with the very strong seasonal winds that can plague the Adriatic coastline--wind won't blow down a pointy, cone shaped roof. For the same reason church steeples on the Côte d'Azur are made from filigree ironwork and not brick or stone. Many trulli have ancient symbols painted on their cones... some early Christian, some pagan, some zodiac. These are supposed to protect the home. Trulli are often made of us more than one connected trullo and the rooms inside have tall pointed ceilings--keeping them cool in the hot months.
As we got closer to trullo country, the roads closed in with white rock walls on either side... like they have in Ireland or England. The fields contained horses, olive trees--more olives down here than anywhere else in Italy--or crops of various salad greens. There are vineyards too. This part of Puglia makes most of the country's wine. Some fields had been harvested and fresh manure was spread, reminding me of the spring back home, except this is October and they must be preparing for a winter crop.
Our Trullo home: Trullo Gallo Rosso After driving through narrow, wall lined back roads, barely seeing any other cars, we pulled into Trullo Rosso. It's like a little hobbit house with eclectic gardens decorated with various tools from olive oil production from the old days. Our host, Hugo was extremely friendly and responded to our every need. The rooms were clean yet rustic... with four trulli cone ceilings.... each of our bedrooms looked up at a cone. There was even a fireplace... too hot for that, though.
That afternoon we decided to do the big tourist thing around here... we visited Aberobello, a town filled hundreds of trulli in the historic center. It was like a festival... lots of people, but curiously mostly locals. The cruise ship bus tours drop off thousands in the mornings but they were all gone and the locals were in their passeggiata mode.... strolling, smoking, gossiping, drinking, all wearing puffy quilted.coats.or other winter garb. The cool 68 degree evening was way to cold for them. We were stared at... shorts and shirts gave us away as other worldly.
We bought some gifts and I got Lisa a silver pendant of one of the ancient trullo symbols... the trident... representing the Holy Trinity and (my thought) our We Three family.
We three had dinner in a tourist restaurant... after 8pm, of course. Sigh. Not great, but similar to a stop at a pizzeria back home. Having gone through another day with no lunch, we were starved.
The drive back was easy because of the white walls lighting up the sides of the roads. Sleep came easy as we looked up at the rustic cones above our heads...
--Jerry F.
We bought some gifts and I got Lisa a silver pendant of one of the ancient trullo symbols... the trident... representing the Holy Trinity and (my thought) our We Three family.
We three had dinner in a tourist restaurant... after 8pm, of course. Sigh. Not great, but similar to a stop at a pizzeria back home. Having gone through another day with no lunch, we were starved.
The drive back was easy because of the white walls lighting up the sides of the roads. Sleep came easy as we looked up at the rustic cones above our heads...
--Jerry F.
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