Some Historic Notes on Paper... Mache, that is...
The roots of papier maché techniques are in both the Middle and Far East. In French, papier maché literally translates as chewed paper. Paper was invented in China in the second century AD, and papier maché was developed as a way to re-use the new material which at the time was very rare and costly. Papier maché it can be very strong but also very lightweight. With strengthening layers of varnish, it was used to make soldiers' helmets and lacquered boxes... and even furniture. With the advent of trade with the Orient, Papier Mache spread from Samarkand and Morocco until about 900 AD it spread to Spain, Germany, France and Italy. The French craftsmen made cups and snuff boxes from it, with serving platters, pots, vases and furniture being made in other countries. A very strong board could be produced by baking layered sheets or shredded paper. For even stronger products, papier maché was mixed with linseed oil before being baked.In the 17th century, successful trade between the Republic of Venice and merchants from the Salento peninsula in Puglia spurred the development of papier maché techniques in the beautiful baroque town of Lecce. The high art of Cartapesta was born...
The construction of many new churches and monuments, Lecce developed a demand for religious statues, but marble for statues is only available in the northern part of Italy--not in the South. Statues needed to be created quickly and needed to be built from a lightweight material so they could easily be carried in a festival procession, or Sagra.
The Lecce craftsmen didn't possess any valuable materials, but with the help of straw, rags, plaster and a few tools, developed their craft using Cartapesta. As it turns out, Cartapesta when finished can be made to look exactly like a marble statue. Cresche scenes of the birth of Christ also became popular. Oddly enough, many of the best craftsmen were also barbers, perhaps because they already had some of the tools needed for the craft.
Today the production of Cartapesta is concentrated around Lecce. Its craftsman produce statues (many life sized) of holy subjects with particular attention paid to their flowing garments. The studio shelves are also full of peasants in charming village scenes and represent various professions like shepherds, cheese-makers, bakers and farmers. Creche scenes of the birth of Christ and angels are also popular. Puppets and marionettes are also produced using Cartapesta. Hands, feet and heads are often made from clay and married to the metal and straw armatures used in creating the Cartapesta figurines. Younger artists are producing more and more modern art with Cartapesta, some of it being very avant-garde. The best artisans even make their own paper using traditional methods which is then used on their creations.
As one wanders through the streets of Lecce it’s common to come across several Cartapesta workshops showing their ready to sell statues and puppets or working on upcoming pieces of art. It’s also possible to take a Cartapesta class in several artisan studios and learn the complex process of creating your own masterpieces.
If you want to see an amazing display of Cartapesta artwork, you can visit the town of Massafra in Taranto where every January begins their Carnevale di Massafra, with giant papier-mâché masks and structures being paraded through town on Thursdays and Sundays until the beginning of Lent.
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