Want to see what the inside of the Leaning Tower of Pisa looks like?
Now you can... take this 360 degree interactive tour!

Click on the photo above to view the video,
then navigate with your mouse.

Click the photo BELOW to see a 360 degree video of the Piazza dei Miracola!

Siena Cathedral (Duomo di Siena) is a medieval church in Siena, Italy, dedicated from its earliest days as a Roman Catholic Marian church, and now dedicated to the Assumption of Mary. Previously the episcopal seat of the Diocese of Siena, from the 15th century the Archdiocese of Siena, it is now that of the Archdiocese of Siena-Colle di Val d'Elsa-Montalcino.

The cathedral itself was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower. The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade. Black and white are the symbolic colors of Siena, representing the black and white horses of the legendary city's founders, Senius and Aschius.

Nearly 2500 feet above the boundary of the Tyrrhenian and Mediterranean Seas is the ancient town of Erice with its two castles, Torretta Pepoli and Castello di Venere (Castle of Venus).  The mountain-top town has amazing views overlooking the city of Trapani, at the northern tip of the western coast of Sicily. A cable car joins the upper and lower parts of the beautiful town and with belvedere views from every corner of the town, it's well worth the trip.

In the northeastern portion of the city there are the remains of ancient Bronze Age  Elymian walls dating back to several thousand years before the time of Christ. The name Erice comes from the Greek hero, Eryx, even though the town was originally colonized by the Phoenicians. It was then ruled by the Greeks, the Carthaginians, and then the Arabs (the Aghlebids), until the Normans conquered it in 1167 and gave it the name Monte San Giuliano, a name that stuck until until 1934.

Pepoli Castle dates from Saracen times, and the Castello di Venere dates from the Norman period, built on top of the ancient Temple of Venus. According to legend, the temple was built by the Trojan hero (Venus' son), Aeneas to honor his goddess mother. Legend claims that an important cult used the temple for its sacrifices, and that the animals chosen for sacrifice would voluntarily walk up to the altar to be killed.

Today, there are no sacrifices, so you can safely take the cable car (funivia)--newly rebuilt after a forest fire--from the outskirts of Trapani to the town of Erice.

--GVI

Text & photos by our Facebook friend, Anthony J. DiLaura

Sharing photos from a recent trip to Venice, some were taken from the top of the Campanile, (the Bell Tower in Piazza San Marco). Other photos are of various points of interest, not necessarily in order: Grand Canal, Doge’s Palace, Giudecca Island, San Salute Cathedral, Saint Marks Cathedral, Rialto Bridge, Bridge of Sighs and some others.

We were fortunate while there, not to have to deal with the crowds from cruise ships. This has become an increasingly difficult problem as thousands of passengers are dropped off along the waterfront and scurry about with very limited time to see as much as they can. Craziness is a good word to describe it.

Ostuni is known as White City of Apulia because of its stark white buildings perched high above the plain below. Located about 5 miles and within sight of the Adriatic coastline, it has a year-round population of about 32,000 inhabitants, but can swell in the tourist season to over 100,000. Part of the province of Brindisi, a region with high production of both wine and olive oil. The town is a popular popular place for expats, especially British and Germans.

The region around Ostuni has been inhabited since the Neolithic era, with Neanderthals living here over 40,000 years ago. The town itself was settled by the Messapii tribe, destroyed by Hannibal during the Punic Wars. It was rebuilt by the Greeks, its name deriving from the Greek Astynéon ("new town").

The town came under rule of the Romans until the Normans conquered it in 996 AD and built a medieval town around the summit of the 950 feet high hill, including a castle and four gates (ruins today). In 1507, rule passed to Isabella, Duchess of Bari, and under her rule Ostuni thrived during the Italian Renaissance, with an abundance of Renaissance architecture left behind. 

The white color of the town had practical advantages. Since at least the time of the Middle Ages, the lime whitewashing helped keep buildings cool by reflecting the heat of the southern sun.  Lime whitewash also has disinfectant properties, helping to slow the spread of disease--this was proven during the Middle Ages, lessening the spread of the Plague.

Lime is readily available in the surroundings of the city since the town itself is built upon three hills of Cretaceous limestone. The White City has become such a popular destination for tourists that the government pays for half the cost of homeowners repainting their homes every two years to keep them looking their whitest.

The centro storico (historic center) is still fortified by the ancient walls. The town's largest buildings are the Ostuni Duomo and the Bishop's Palace, together with a number of palazzi of local aristocratic families. In the surrounding countryside there are typical Pugliese masserie (fortified large estate-farms), as well as trulli (pointed roofed structures), many of which today have been converted into hotels and B&Bs. Since 2010, there has been such a large influx of British expats buying properties, that the town has been given the tongue-in-cheek nickname of Salentoshire.

Events
La Processione della Grata - On the second Sunday of August, this procession leaves the Sanctuary della Grata to go to the center of the city and, and in the evening the candles of over six thousand people light up the countryside which can be viewed from the city's walls.

Sagra dei Vecchi Tempi - Feast of the Old Times. August 15th is a local food festival with many traditional dishes.

Cavalcata di Sant’Oronzo - a celebration of the town’s patron saint, takes place between the 24th-27th August. The high point are costumed knights and a procession on horseback.

Festa di San Biagio - On February 3rd, thousands of pilgrims go to the sanctuary of San Biagio carved into the side of the limestone hillside, just outside of town. The Sanctuary is notable for a huge, ancient sinkhole considered by speleologists the biggest underground cavity in Puglia. Visitors can enjoy the natural landscape in the surrounding area.- ​ Via dei Colli, Ostuni, Puglia

Just remember to bring your sunglasses if you plan on visiting Ostuni -- it's that white.

--GVI

Cyclists already know Lake Garda as a premier cycling destination, but the design and installation of a cycle path that hangs from the craggy cliffs surrounding the lake is going to be a real game changer. At a projected cost of over $130 million, Garda in Bici (Garda by Bike) is being constructed nearly 200 feet above the lake to complete an 86 mile route that circumnavigates the lake. The first three-mile section is set to open this summer, and the entire course should be completed by 2021 which will connect three Italian regions: Lombardy, Veneto and Trento.  The area surrounding Lake Garda is already popular with cyclists who ride off-road trails in the Dolomites and with the grueling TransAlp Bike Race.

Altamura is primarily known for its world famous crusty bread that lasts for weeks, but man doesn't live by bread alone. An occasional musical interlude helps, too...

The Teatro Mercadante of Altamura began a new history in the Pugliese city in 2014 after 25 years of closure, thanks to the patronage by Altamura entrepreneurs. The beautifully restored classical Italian theater hosts a mixture of opera, jazz, classical comedies, Avant-garde performances, modern plays and philharmonic concerts.

The theater is named after one of Altamura's favorite sons, Giuseppe Saverio Raffaele Mercadante (1795 -1870), an Italian composer, particularly of operas. After his death in 1870, the city of Altamura decided to build a new theater to honor his memory, starting construction in 1895 and finishing (amazingly) within six months! Originally, each person contributing to the effort, paid at least 5 lira which would represent "ownership" of the stage, a lamp, a door or a chair proportional to the amount paid.

The interior of the theater is horseshoe shaped, consisting of four tiers of boxes and stalls with a capacity of approximately 500 seats, which results in there being no bad seat in the house. The historic curtain, entitled Mirabile, is the work of the painter Montagano, depicting Frederick II of Swabia and the construction of the Altamura Duomo.

While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works. His development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique.

Attending a play or concert in this wonderful Italian theater would be an experience that will add eternal memories to your Voyage to Puglia and Altamura...

--Jerry Finzi

For more information: Tel 080.3101222
info@teatromercadante.com
Teatro Mercadante

The Duomo
The Leaning Tower of Pisa sits in the sprawling Piazza dei Miracoli, but there are also other amazing buildings to visit and admire. Construction on the Pisa Duomo (the Santa Maria Assunta cathedral) began in 1063 by the architect Buscheto, paid for with the spoils received fighting against the Muslims in Sicily. The structure is a mix of architectural styles, reflecting the influences of the varied merchants of the day: classical, Lombard-Emilian, Byzantine, and Islamic. The church was erected outside Pisa's defensive walls to show it's lack of fear from outside forces. The cathedral was consecrated in 1118 by Pope Gelasius II, a member of the powerful Caetani family with links to both Pisa and Rome.

The Duomo is well worth a visit and contains noteworthy treasures, including the marble pulpit and bronze doors, both designed by Pisano.

Campo Santo
Built in the 13th century, the Campo Santo (Holy Field) Monumentale is a cemetery built in the form of a cloisters, sitting alongside both the Baptistry and the Duomo in the Piazza dei Miracoli. Admittedly, it is the lesser-known of Pisa's monuments. Legend claims it was built upon a shipload of sacred soil from Calvary where Jesus was crucified. It is said that bodies buried here will rot and ascend to Heaven in just 24 hours. The burial ground lies over the ruins of the original  baptistery of the church of Santa Reparata, a church that stood where the Duomo stands today.

Over the centuries, the most illustrious citizens of Pisa have been buried in Roman sarcophagi and more modest graves. The walls were decorated with 14th and 15th century beautiful frescoes which were damaged during WWII air raids, and are still being restored today. Some of the best frescoes to see include the Triumph of Death, the Last Judgment, and Stories of the Anchorites.

The cemetery itself is composed of three chapels: Chapel Ammannati is the oldest one; Chapel Aulla made by Giovanni della Robbia in 1518; and Chapel Dal Pozzo, which was commissioned by Carlo Antonio Dal Pozzo, the archbishop of Pisa, in 1594.

Piazza delle Vettovaglie
In the historic center of Pisa, Piazza delle Vettovagia's name describes its function... vettovaglie means provisions in Italian. Literally, its name means Supply Square. Unlike other town markets in Italy, which have only one day in which a piazza turns into a market, this Piazza becomes a local market each and every morning. Keep in mind, this is a market for where locals shop. Well worth a visit if you want to experience the real Pisa. Residents can buy fruit, vegetables and other food products. You will feel like you've been transported back to the  Renaissance, surrounded on all sides by porticoes, the piazza boasting cafes, wine shops, butchers, fish-sellers, bakeries and spice shops. The Piazza is a great place to buy your provisions for the day, or for snacking or dining in a taverna under the portico. It is a particularly lively spot in the evenings where locals congregate, and because it is off the tourist radar, prices are more affordable.

Torre di Santa Maria and the Medieval Walls of Pisa
The Torre di Santa Maria is in the north-west side of the defensive city walls in the Piazza dei Miracoli and was constructed in 1155-1161. In 1499, during a siege by the Florentines, the tower was nearly destroyed and shortened to the level of the walls. It was reconstructed again in the 19th century. The walls themselves took nearly two centuries to complete, stretching nearly 4-1/2 miles with an average height of 36 feet, about 6 feet thick and are built using “Panchina” stone, a form of tufa stone.

After years of restoration, visitors may now attend walking tours on the Pisa walls on selected days. The three-kilometer path affords views of towers and ramparts, where you’ll also walk over the city's four gates: Porta Nuova in Piazza dei Miracoli, Porta a Lucca, Porta San Zeno and Porta Calcesana. Generally speaking, the walls are open from April till September. At the time of this writing, the cost is 3 Euros. Parts of the walls are actually handicapped-accessible via elevators (for short sections of the ramparts).  You should be able to by tickets at the same places you buy tickets for the Leaning Tower. The hours are usually from 11am-2pm and 3pm to 8pm. (Please check with the Pisa Tourism Bureau for current dates and times. This is Italy, after all).

No, the photo above was not take in Venice. It's Las Vegas--the Venetian Hotel and Casino. This photo has actually been mistakenly used to represent the real Venice in at least one well known article. It's all stage set, plastic, and chlorine treated pool blue water. “We are not going to build a ‘faux’ Venice,” said Sheldon Adelson, when he first announced plans for his Venetian resort and casino. “We’re going to build what is essentially the real Venice.”

Really?

I mean, sure, the London Bridge has been in Lake Havasu City, Arizona since 1964... but it's the actual London Bridge, bought and paid for from England, stone by stone, rebuilt into a modern little town spanning a small man-made lake. But this "real Venice" in Vegas in the middle of Sin-City is all smoke and mirrors--plastic ones at that. Many who have been to the real Venice would tell Mr. Adelson, “You didn’t get the smell right”, (a compliment to Venezia). 

Venezia is real. It's history. It's gritty and more than just a little wet during the winter. You can get lost in its back streets in proximity and in time. Vegas is Vegas. It's for gamblers and posers or worse. It for shoppers looking for designer labels or tourist kitsch. It's a casino, a huge hotel and a shopping mall. It's for the lazy tourist.
It's not for real Voyagers.

In this Phony-Baloney Venice, a visitor can pull into the Doge’s Palace driveway and in one glance see St. Mark’s Square with its campanile, the twin columns topped by Saint Theodore and the winged lion of St. Marks, the Campanile, the Sansoviniana Library, the Ca’ d’Oro palace, and both the Bridge of Sighs and the Rialto. There are no driveways in the real Venezia. The Palazzo Ducale (the Doge's real name) has gondola slips just outside in the canal--no driveway.

In the Vegas's Venetian Hotel, the gondoliers have to actually audition as singers and hired as entertainers. This is the primary concern when hiring a phoney-gondolier. In the real Venezia, gondoliers follow a 900 year tradition of fathers to sons (and recently, daughters), essentially being born into the profession. They have to take strict boating exams and are expert in both navigation and weather. Although some are know to have good singing voices, it's not a requirement to get a gondolier's license.  In Vegas, their gondo-tainers wear walkie-talkies, boom microphones and perform on a schedule.

In the real Venice, one has to wander, explore, take a gondola or water-taxi perhaps to other islands in the lagoon, or walk the back streets and canals to see all the mysteries and wonders the ancient city offers the real Voyager. That's what real Voyages are... a slow, purposeful exploration. Soaking in the light and smells and colors and tastes and sounds and textures of the environment.  There's nothing phony about Italy or Venice. 

We suggest turning your back on places like these re-created phony vacation spots, including all things Disney, unless you have 4-7 year old kids. And even then, wouldn't you rather have your child experience walking in real dinosaur prints (yes, in Italy), seeing where real cavemen lived (Italy again), exploring real castles (everywhere in Italy), looking into the crater of a real volcano (Italy), seeing where real gladiators fought to their deaths (yep, Italy) and experiencing real snow-capped mountains (of course, in Italy)? And don't get us started on the authenticity of the food and the people... OK, and don't forget gelato for the kids.

Come on... get real and get to the real Italy.

--GVI