Cyclists already know Lake Garda as a premier cycling destination, but the design and installation of a cycle path that hangs from the craggy cliffs surrounding the lake is going to be a real game changer. At a projected cost of over $130 million, Garda in Bici (Garda by Bike) is being constructed nearly 200 feet above the lake to complete an 86 mile route that circumnavigates the lake. The first three-mile section is set to open this summer, and the entire course should be completed by 2021 which will connect three Italian regions: Lombardy, Veneto and Trento. The area surrounding Lake Garda is already popular with cyclists who ride off-road trails in the Dolomites and with the grueling TransAlp Bike Race.
The sleek steel and wooden route features elegant iron fences built as futuristic balconies with views of mountain peaks, boats sailing by and the picturesque villages that dot Lake Garda's shores. The engineering to complete the installation itself is daunting, at times using using helicopters, mountaineering experts and specialist riggers drilling into solid stone. Thick steel poles drilled into the cliffs support the board treadway, seemingly defying gravity.
The addition of this amazing structure to the many biking paths that already exist around Lake Garda makes this a must-cycle destination.
For more information about cycling in Lake Garda, Click Here.
Altamura is primarily known for its world famous crusty bread that lasts for weeks, but man doesn't live by bread alone. An occasional musical interlude helps, too...
The Teatro Mercadante of Altamura began a new history in the Pugliese city in 2014 after 25 years of closure, thanks to the patronage by Altamura entrepreneurs. The beautifully restored classical Italian theater hosts a mixture of opera, jazz, classical comedies, Avant-garde performances, modern plays and philharmonic concerts.
The theater is named after one of Altamura's favorite sons, Giuseppe Saverio Raffaele Mercadante (1795 -1870), an Italian composer, particularly of operas. After his death in 1870, the city of Altamura decided to build a new theater to honor his memory, starting construction in 1895 and finishing (amazingly) within six months! Originally, each person contributing to the effort, paid at least 5 lira which would represent "ownership" of the stage, a lamp, a door or a chair proportional to the amount paid.
The interior of the theater is horseshoe shaped, consisting of four tiers of boxes and stalls with a capacity of approximately 500 seats, which results in there being no bad seat in the house. The historic curtain, entitled Mirabile, is the work of the painter Montagano, depicting Frederick II of Swabia and the construction of the Altamura Duomo.
While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works. His development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique.
Attending a play or concert in this wonderful Italian theater would be an experience that will add eternal memories to your Voyage to Puglia and Altamura...
The Leaning Tower of Pisa sits in the sprawling Piazza dei Miracoli, but there are also other amazing buildings to visit and admire. Construction on the Pisa Duomo (the Santa Maria Assunta cathedral) began in 1063 by the architect Buscheto, paid for with the spoils received fighting against the Muslims in Sicily. The structure is a mix of architectural styles, reflecting the influences of the varied merchants of the day: classical, Lombard-Emilian, Byzantine, and Islamic. The church was erected outside Pisa's defensive walls to show it's lack of fear from outside forces. The cathedral was consecrated in 1118 by Pope Gelasius II, a member of the powerful Caetani family with links to both Pisa and Rome.
The Duomo is well worth a visit and contains noteworthy treasures, including the marble pulpit and bronze doors, both designed by Pisano.
The construction of the Baptistery of St. John (Battistero di San Giovanni) began in 1152 to replace an older baptistery, and was completed in 1363. The baptistry was designed by Diotisalvi, whose signature is found on two pillars inside the building, dated 1153. It is the largest baptistry in Italy, constructed with marble: 55 meters high with a diameter of 34 meters. It's architectural style is a combination of Romanesque and Gothic--the lower section Romanesque, the upper section Gothic.
The interior, although somewhat overwhelming, lacks decoration. The octagonal font in the center was created in 1246 by Guido Bigarelli da Como, the bronze sculpture of St. John the Baptist is by Italo Griselli, The pulpit is from 1255-1260 by Nicola Pisano, father of Giovanni Pisano, who produced the pulpit in the Duomo.
A little known fact: like the famous Leaning Tower, the Baptistry is also leaning, albeit just a tad 0.6 degrees toward the cathedral. One of the more interesting aspects of the Baptistry is its acoustics, illustrated in the video below...
Built in the 13th century, the Campo Santo (Holy Field) Monumentale is a cemetery built in the form of a cloisters, sitting alongside both the Baptistry and the Duomo in the Piazza dei Miracoli. Admittedly, it is the lesser-known of Pisa's monuments. Legend claims it was built upon a shipload of sacred soil from Calvary where Jesus was crucified. It is said that bodies buried here will rot and ascend to Heaven in just 24 hours. The burial ground lies over the ruins of the original baptistery of the church of Santa Reparata, a church that stood where the Duomo stands today.
Over the centuries, the most illustrious citizens of Pisa have been buried in Roman sarcophagi and more modest graves. The walls were decorated with 14th and 15th century beautiful frescoes which were damaged during WWII air raids, and are still being restored today. Some of the best frescoes to see include the Triumph of Death, the Last Judgment, and Stories of the Anchorites.
The cemetery itself is composed of three chapels: Chapel Ammannati is the oldest one; Chapel Aulla made by Giovanni della Robbia in 1518; and Chapel Dal Pozzo, which was commissioned by Carlo Antonio Dal Pozzo, the archbishop of Pisa, in 1594.
The Jewish Cemetery of Pisa
Just to the left of the Porta Nuova entrance to Piazza dei Miracoli, and just beyond the ancient gates of Porta del Leone lies the Cimitero Ebraico, the historic Jewish Cemetery of Pisa, one of the oldest cemeteries in the world still in use. It is separated from Campo Santo itself by the medieval walls, framed by the Torre di Santa Maria, the Lion's Gate and Torre di Catallo. If it weren't for the walls separating the two cemeteries, visitors would instantly realize that fully two-thirds of the northern boundary of Piazza dei Miracoli is sacred burial grounds for two religions.
In use since 1674, the current cemetery was preceded by at least three other Jewish cemeteries, all located outside the western walls of Pisa. The first official mention of the Jewish community in Pisa dates back to 859 AD, and thirteenth century engraved inscriptions can still be seen to the right of the Porta Nuova. Historians believe that the poorest people were buried at the foot of the walls with their names engraved on the wall, all at the same height.
Tombstones in the cemetery are unusual in that they have Hebraic inscriptions on one side and Spanish or Portuguese inscriptions on the other. This is because they were descendants of families expelled from the Iberian Peninsula in the 15th century. They also are engraved with the date from the the Gregorian calendar and and the Hebraic date. Many tombs are broken or tilted, not unlike the Leaning Tower, because of the poor soil. In the older part of the cemetery, the stones are under tall trees, giving you the impression that you are well outside of the city limits and away from the tourist throngs. Another interesting aspect is the tombstones marking the graves of children who succumbed to the 17th century plague.
You will also find the graves of Jewish soldiers who fell during the First World War, Jews who were victims of fascist violence, German killings and Nazi-Fascist persecutions. A plaque on the wall of the mortuary chapel in the center of the cemetery lists names of those who were deported and disappeared in the extermination camps are also remembered by a plaque on the wall of the mortuary chapel in the center of the cemetery.
As many of you know, it is Jewish tradition to place small stones on the graves of the departed, and you will find many stones in this cemetery as well. Some say the reason is stones last forever, while flowers would fade away--the love for people who have passed on never fades. Others say the stones help hold part of their souls down to Earth, where we can still spend time with those who have left this world. As in the words to a popular song, the Kotel:
“There are men with hearts of stone, and stones with the hearts of men.”
If you visit, leave some stones for their souls and for your own.
To visit, contact the Jewish Community of Pisa.
Via Palestro, 24 - 56127 - Pisa - Tel and Fax: 050/542580
Piazza delle Vettovaglie
In the historic center of Pisa, Piazza delle Vettovagia's name describes its function... vettovaglie means provisions in Italian. Literally, its name means Supply Square. Unlike other town markets in Italy, which have only one day in which a piazza turns into a market, this Piazza becomes a local market each and every morning. Keep in mind, this is a market for where locals shop. Well worth a visit if you want to experience the real Pisa. Residents can buy fruit, vegetables and other food products. You will feel like you've been transported back to the Renaissance, surrounded on all sides by porticoes, the piazza boasting cafes, wine shops, butchers, fish-sellers, bakeries and spice shops. The Piazza is a great place to buy your provisions for the day, or for snacking or dining in a taverna under the portico. It is a particularly lively spot in the evenings where locals congregate, and because it is off the tourist radar, prices are more affordable.
Torre di Santa Maria and the Medieval Walls of Pisa
The Torre di Santa Maria is in the north-west side of the defensive city walls in the Piazza dei Miracoli and was constructed in 1155-1161. In 1499, during a siege by the Florentines, the tower was nearly destroyed and shortened to the level of the walls. It was reconstructed again in the 19th century. The walls themselves took nearly two centuries to complete, stretching nearly 4-1/2 miles with an average height of 36 feet, about 6 feet thick and are built using “Panchina” stone, a form of tufa stone.
After years of restoration, visitors may now attend walking tours on the Pisa walls on selected days. The three-kilometer path affords views of towers and ramparts, where you’ll also walk over the city's four gates: Porta Nuova in Piazza dei Miracoli, Porta a Lucca, Porta San Zeno and Porta Calcesana. Generally speaking, the walls are open from April till September. At the time of this writing, the cost is 3 Euros. Parts of the walls are actually handicapped-accessible via elevators (for short sections of the ramparts). You should be able to by tickets at the same places you buy tickets for the Leaning Tower. The hours are usually from 11am-2pm and 3pm to 8pm. (Please check with the Pisa Tourism Bureau for current dates and times. This is Italy, after all).
Click the map above to see it in high resolution.