First of all, not all beaches in Italy even have sand to build Castelli di Sabbia (sandcastles). Secondly, even if you were on an Italian beach with lots of fine sand and started to build a sandcastle with your child, more than likely a group of Italian children would gather around, never having seen anyone do such a thing. Thirdly, if you are on a beach like Eraclea (near Venice), the bagnino (lifeguard) would come over to stop you and give you a fine. It's apparently illegal, by mayoral degree, to build sandcastles as they block the public access.
Curiously, there are still some very large sandcastle competitions all over Italy during the summer months... one of the most prestigious being on the lido in Jesolo, just east of Venice, another in the seaside town of Cervia near Ravenna, and yet one more in Alessio on the Italian Riviera west of Genoa. Another unexpected one is on Easy Living's Urban Beach on the banks of the Arno River in Florence, a hipster beach bar.
Back in 2009 Fiat was busy merging with Chrysler Motors while promoting its larger, roomier Fiat 500C. Merely claiming that the model was bigger wasn't enough--they illustrated the size by taking a giant-sized, 5:1 scale model on a tour of European countries. That's 5:1, not 1:5, which means that the mock-up is 5 times bigger than the actual production model. It left a big impression, for sure, leaving the wheels off as entry and exit points.
On display in Franfurt
Recently, after the curators of the Palazzo Pitti ordered a routine cleaning and inspection of Raphael's La Donna Velata (the Veiled Woman), they discovered some significant and off-putting under-painting through the use of x-rays and ultraviolet techniques.
Amazed at what they found--a bizarre portrait of a bearded Michelangelo, they began to come up with a reason for this horrific image...
As many historians will tell you, Michelangelo and Raphael had a combative relationship and worked on different parts of the Vatican at the same time. As is well documented, Raphael painted the frescoes on the walls and ceiling of the Pope’s private library while Michelangelo was (as Raphael saw it) "laying down on the job" while painting the Sistine chapel ceiling. Raphael procured a key to the Sistine Chapel and had his spy secretly sneak in to check out Michelangelo’s progress. At times, Raphael himself would spy on the Master and record every detail of what he saw in his Eidetic memory.
Michelangelo later accused Raphael of plagiarism and claimed "everything he knew about art he got from me." Michelangelo hated Raphael and spread nasty rumors about him. The two were bitter rivals to the end.
With this new discovery, art experts now theorize that Raphael hatched his plan to get back at him... to paint the most ugly and grotesque portrait of a bearded Michelangelo underneath one of his own masterpieces, the Veiled Woman, knowing full well that someday, somehow, in the distant future, art historians would uncover his monumental joke upon the Master... once and for all times, shaming Michelangelo (who was rumored to be gay) as a cross-dressing, bambolina-hugging monstrosity--even if the shaming occurred after they were both in their graves.