Altamura is primarily known for its world famous crusty bread that lasts for weeks, but man doesn't live by bread alone. An occasional musical interlude helps, too... The Teatro Mercadante of Altamura began a new history in the Pugliese city in 2014 after 25 years of closure, thanks to the patronage by Altamura entrepreneurs. The beautifully restored classical Italian theater hosts a mixture of opera, jazz, classical comedies, Avant-garde performances, modern plays and philharmonic concerts. The theater is named after one of Altamura's favorite sons, Giuseppe Saverio Raffaele Mercadante (1795 -1870), an Italian composer, particularly of operas. After his death in 1870, the city of Altamura decided to build a new theater to honor his memory, starting construction in 1895 and finishing (amazingly) within six months! Originally, each person contributing to the effort, paid at least 5 lira which would represent "ownership" of the stage, a lamp, a door or a chair proportional to the amount paid. The interior of the theater is horseshoe shaped, consisting of four tiers of boxes and stalls with a capacity of approximately 500 seats, which results in there being no bad seat in the house. The historic curtain, entitled Mirabile, is the work of the painter Montagano, depicting Frederick II of Swabia and the construction of the Altamura Duomo. While Mercadante may not have retained the international celebrity of Gaetano Donizetti or Gioachino Rossini beyond his own lifetime, he composed as impressive a number of works. His development of operatic structures, melodic styles and orchestration contributed significantly to the foundations upon which Giuseppe Verdi built his dramatic technique.
Attending a play or concert in this wonderful Italian theater would be an experience that will add eternal memories to your Voyage to Puglia and Altamura... --Jerry Finzi The Duomo The Leaning Tower of Pisa sits in the sprawling Piazza dei Miracoli, but there are also other amazing buildings to visit and admire. Construction on the Pisa Duomo (the Santa Maria Assunta cathedral) began in 1063 by the architect Buscheto, paid for with the spoils received fighting against the Muslims in Sicily. The structure is a mix of architectural styles, reflecting the influences of the varied merchants of the day: classical, Lombard-Emilian, Byzantine, and Islamic. The church was erected outside Pisa's defensive walls to show it's lack of fear from outside forces. The cathedral was consecrated in 1118 by Pope Gelasius II, a member of the powerful Caetani family with links to both Pisa and Rome. The Duomo is well worth a visit and contains noteworthy treasures, including the marble pulpit and bronze doors, both designed by Pisano. The Baptistry The construction of the Baptistery of St. John (Battistero di San Giovanni) began in 1152 to replace an older baptistery, and was completed in 1363. The baptistry was designed by Diotisalvi, whose signature is found on two pillars inside the building, dated 1153. It is the largest baptistry in Italy, constructed with marble: 55 meters high with a diameter of 34 meters. It's architectural style is a combination of Romanesque and Gothic--the lower section Romanesque, the upper section Gothic. The interior, although somewhat overwhelming, lacks decoration. The octagonal font in the center was created in 1246 by Guido Bigarelli da Como, the bronze sculpture of St. John the Baptist is by Italo Griselli, The pulpit is from 1255-1260 by Nicola Pisano, father of Giovanni Pisano, who produced the pulpit in the Duomo. A little known fact: like the famous Leaning Tower, the Baptistry is also leaning, albeit just a tad 0.6 degrees toward the cathedral. One of the more interesting aspects of the Baptistry is its acoustics, illustrated in the video below... Campo Santo Built in the 13th century, the Campo Santo (Holy Field) Monumentale is a cemetery built in the form of a cloisters, sitting alongside both the Baptistry and the Duomo in the Piazza dei Miracoli. Admittedly, it is the lesser-known of Pisa's monuments. Legend claims it was built upon a shipload of sacred soil from Calvary where Jesus was crucified. It is said that bodies buried here will rot and ascend to Heaven in just 24 hours. The burial ground lies over the ruins of the original baptistery of the church of Santa Reparata, a church that stood where the Duomo stands today. Over the centuries, the most illustrious citizens of Pisa have been buried in Roman sarcophagi and more modest graves. The walls were decorated with 14th and 15th century beautiful frescoes which were damaged during WWII air raids, and are still being restored today. Some of the best frescoes to see include the Triumph of Death, the Last Judgment, and Stories of the Anchorites. The cemetery itself is composed of three chapels: Chapel Ammannati is the oldest one; Chapel Aulla made by Giovanni della Robbia in 1518; and Chapel Dal Pozzo, which was commissioned by Carlo Antonio Dal Pozzo, the archbishop of Pisa, in 1594. The Jewish Cemetery of Pisa Just to the left of the Porta Nuova entrance to Piazza dei Miracoli, and just beyond the ancient gates of Porta del Leone lies the Cimitero Ebraico, the historic Jewish Cemetery of Pisa, one of the oldest cemeteries in the world still in use. It is separated from Campo Santo itself by the medieval walls, framed by the Torre di Santa Maria, the Lion's Gate and Torre di Catallo. If it weren't for the walls separating the two cemeteries, visitors would instantly realize that fully two-thirds of the northern boundary of Piazza dei Miracoli is sacred burial grounds for two religions. In use since 1674, the current cemetery was preceded by at least three other Jewish cemeteries, all located outside the western walls of Pisa. The first official mention of the Jewish community in Pisa dates back to 859 AD, and thirteenth century engraved inscriptions can still be seen to the right of the Porta Nuova. Historians believe that the poorest people were buried at the foot of the walls with their names engraved on the wall, all at the same height. Tombstones in the cemetery are unusual in that they have Hebraic inscriptions on one side and Spanish or Portuguese inscriptions on the other. This is because they were descendants of families expelled from the Iberian Peninsula in the 15th century. They also are engraved with the date from the the Gregorian calendar and and the Hebraic date. Many tombs are broken or tilted, not unlike the Leaning Tower, because of the poor soil. In the older part of the cemetery, the stones are under tall trees, giving you the impression that you are well outside of the city limits and away from the tourist throngs. Another interesting aspect is the tombstones marking the graves of children who succumbed to the 17th century plague. You will also find the graves of Jewish soldiers who fell during the First World War, Jews who were victims of fascist violence, German killings and Nazi-Fascist persecutions. A plaque on the wall of the mortuary chapel in the center of the cemetery lists names of those who were deported and disappeared in the extermination camps are also remembered by a plaque on the wall of the mortuary chapel in the center of the cemetery. As many of you know, it is Jewish tradition to place small stones on the graves of the departed, and you will find many stones in this cemetery as well. Some say the reason is stones last forever, while flowers would fade away--the love for people who have passed on never fades. Others say the stones help hold part of their souls down to Earth, where we can still spend time with those who have left this world. As in the words to a popular song, the Kotel: “There are men with hearts of stone, and stones with the hearts of men.” If you visit, leave some stones for their souls and for your own. To visit, contact the Jewish Community of Pisa. Via Palestro, 24 - 56127 - Pisa - Tel and Fax: 050/542580 Piazza delle Vettovaglie In the historic center of Pisa, Piazza delle Vettovagia's name describes its function... vettovaglie means provisions in Italian. Literally, its name means Supply Square. Unlike other town markets in Italy, which have only one day in which a piazza turns into a market, this Piazza becomes a local market each and every morning. Keep in mind, this is a market for where locals shop. Well worth a visit if you want to experience the real Pisa. Residents can buy fruit, vegetables and other food products. You will feel like you've been transported back to the Renaissance, surrounded on all sides by porticoes, the piazza boasting cafes, wine shops, butchers, fish-sellers, bakeries and spice shops. The Piazza is a great place to buy your provisions for the day, or for snacking or dining in a taverna under the portico. It is a particularly lively spot in the evenings where locals congregate, and because it is off the tourist radar, prices are more affordable. Torre di Santa Maria and the Medieval Walls of Pisa The Torre di Santa Maria is in the north-west side of the defensive city walls in the Piazza dei Miracoli and was constructed in 1155-1161. In 1499, during a siege by the Florentines, the tower was nearly destroyed and shortened to the level of the walls. It was reconstructed again in the 19th century. The walls themselves took nearly two centuries to complete, stretching nearly 4-1/2 miles with an average height of 36 feet, about 6 feet thick and are built using “Panchina” stone, a form of tufa stone. After years of restoration, visitors may now attend walking tours on the Pisa walls on selected days. The three-kilometer path affords views of towers and ramparts, where you’ll also walk over the city's four gates: Porta Nuova in Piazza dei Miracoli, Porta a Lucca, Porta San Zeno and Porta Calcesana. Generally speaking, the walls are open from April till September. At the time of this writing, the cost is 3 Euros. Parts of the walls are actually handicapped-accessible via elevators (for short sections of the ramparts). You should be able to by tickets at the same places you buy tickets for the Leaning Tower. The hours are usually from 11am-2pm and 3pm to 8pm. (Please check with the Pisa Tourism Bureau for current dates and times. This is Italy, after all). Click the map above to see it in high resolution.
No, the photo above was not take in Venice. It's Las Vegas--the Venetian Hotel and Casino. This photo has actually been mistakenly used to represent the real Venice in at least one well known article. It's all stage set, plastic, and chlorine treated pool blue water. “We are not going to build a ‘faux’ Venice,” said Sheldon Adelson, when he first announced plans for his Venetian resort and casino. “We’re going to build what is essentially the real Venice.” Really? I mean, sure, the London Bridge has been in Lake Havasu City, Arizona since 1964... but it's the actual London Bridge, bought and paid for from England, stone by stone, rebuilt into a modern little town spanning a small man-made lake. But this "real Venice" in Vegas in the middle of Sin-City is all smoke and mirrors--plastic ones at that. Many who have been to the real Venice would tell Mr. Adelson, “You didn’t get the smell right”, (a compliment to Venezia). Venezia is real. It's history. It's gritty and more than just a little wet during the winter. You can get lost in its back streets in proximity and in time. Vegas is Vegas. It's for gamblers and posers or worse. It for shoppers looking for designer labels or tourist kitsch. It's a casino, a huge hotel and a shopping mall. It's for the lazy tourist. It's not for real Voyagers. In this Phony-Baloney Venice, a visitor can pull into the Doge’s Palace driveway and in one glance see St. Mark’s Square with its campanile, the twin columns topped by Saint Theodore and the winged lion of St. Marks, the Campanile, the Sansoviniana Library, the Ca’ d’Oro palace, and both the Bridge of Sighs and the Rialto. There are no driveways in the real Venezia. The Palazzo Ducale (the Doge's real name) has gondola slips just outside in the canal--no driveway. In the Vegas's Venetian Hotel, the gondoliers have to actually audition as singers and hired as entertainers. This is the primary concern when hiring a phoney-gondolier. In the real Venezia, gondoliers follow a 900 year tradition of fathers to sons (and recently, daughters), essentially being born into the profession. They have to take strict boating exams and are expert in both navigation and weather. Although some are know to have good singing voices, it's not a requirement to get a gondolier's license. In Vegas, their gondo-tainers wear walkie-talkies, boom microphones and perform on a schedule. In the real Venice, one has to wander, explore, take a gondola or water-taxi perhaps to other islands in the lagoon, or walk the back streets and canals to see all the mysteries and wonders the ancient city offers the real Voyager. That's what real Voyages are... a slow, purposeful exploration. Soaking in the light and smells and colors and tastes and sounds and textures of the environment. There's nothing phony about Italy or Venice. We suggest turning your back on places like these re-created phony vacation spots, including all things Disney, unless you have 4-7 year old kids. And even then, wouldn't you rather have your child experience walking in real dinosaur prints (yes, in Italy), seeing where real cavemen lived (Italy again), exploring real castles (everywhere in Italy), looking into the crater of a real volcano (Italy), seeing where real gladiators fought to their deaths (yep, Italy) and experiencing real snow-capped mountains (of course, in Italy)? And don't get us started on the authenticity of the food and the people... OK, and don't forget gelato for the kids. Come on... get real and get to the real Italy. --GVI In the baroque town of Caltagirone, Sicily, the main attraction is its ceramics industry. The name of the town derives from the Arabic word qal’at-al-ghiran, meaning Castle of Vases. There are ceramics everywhere you look... as tile murals on buildings, as signs, and in the many ceramics shops just waiting for a savvy Voyager to select a few special pieces to take back home. But the tiles also adorn its stairways, the most majestic being the Scale di Santa Maria del Monte, built in 1608. Start to climb the 142 steps and you will be reading the town's history, each step telling their stories on hand-painted ceramic tiles that clad each stair’s riser. There are many fantastic characters, battle scenes, landscapes and symbolic patterns. It's a wonder to think that the staircase was rebuilt by the town after being destroyed by an earthquake in 1693 which destroyed most of the town. The Scale is a symbol of the town's resilience and rightfully, was honored as a UNESCO world heritage site in 2002.
When you arrive at the top of this kaleidoscopic ascent, you turn around only to notice that the steps' colors have disappeared, seemingly to allow you to focus on the wonderful views of the town itself with its Baroque architecture. With tiles and ceramics being part of the architecture of the town, anyone who loves colorful ceramics would love visiting Caltagirone. You can see wonderful tile installations in its churches and palazzi, the Majolica Bridge of San Francesco, as well as in the Giardino Villa Comunale, a well cared for public garden. Worth a look are elaborate balcony of Casa Ventimiglia in Via Roma and Palazzo della Magnolia, in Via Luigi Sturzo with its terracotta embellishments. If you go:
Caltagirone is located 43 miles southwest of Catania in southern Sicily. You can get there by bus from Catania but a car is recommended. Today the town thrives on tourists and ceramic collectors who visit over 130 ceramics studios and shops. The style of ceramics here is called Maiolica (Majolica) and is distinctively different from other areas of Sicily. Worth visiting: Museo Regionale della Ceramica Examples of Sicilian ceramic objects dating from prehistoric times to the present day. One enters the museum through the so-called Teatrino (Little Theater), a belvedere dating from 1792 with steps and its decorated balustrade. Teatrino del Bonaiuto, Giardini Pubblici 96041 Caltagirone, Sicily, Italy Tel: 39 0933 58423 --GVI Castello Scaligero in the commune of Sirmione sits on a thin peninsula jutting out into the southern end of Lake Garda. Essentially, the ramparts of the castle function as a small fortified harbor for what was the Scaligera fleet. The castle has a de facto moat (the surrounding lake) and even a drawbridge through which visitors enter. There are 146 steps which take you up to ramparts of the walls which look down upon the little harbor. There is a small walkway around which bowmen would be stationed to ward off any intruders from the lake in addition to defensive towers. Castello Scaligero is perhaps the best preserved castle from medieval times in Italy, constructed in the middle of the 13th century on top of the remains of an ancient Roman fortress. Taking over a century to build, two courtyards and an other fortifications were also added. In 1405 the Republic of Venice took control and strengthened the castle even further. If you decide to visit, consider that in high season Lake Garda can get very busy. Still, there is so much to do in the surrounding area, even water parks and campgrounds if you're so inclined: Sirmione Historic Center - After visiting the Castello, take a stroll around the old town of Sirmione. There are shops, restaurants, gelaterias, pizzerias and beautiful architecture. Be sure to take in a passaggiata (stroll) at dusk to Piazza Callas and its pier that juts out into the lake. Archaeological site of Grotte di Catullo - Ruins of a sizable Roman villa on a peninsula with an olive grove & a nearby archeological museum. Can get crowded in high season but worth a visit. Camping Village San Francisco Mantua & Peschiera del Garda - Mantua is a wonder town surrounded by manmade lakes which create a huge moat. Peschiera del Garda is a "water" town--surrounded on all sides by the River Mincio which connects to the lake. Lake Garda Cruises GVI Travel Tip: Best visited in the off season.
Here's a tip for anyone wanting to walk the Via Krupp in Capri: Although the adjacent Augustus Gardens is open and worth a visit for its wonderful views of the Faraglioni rocks on the one side and the Bay of Marina Piccola on the other, the Via Krupp pathway (with its drop of 300 feet) has been closed for decades due to a danger of falling rocks. You can still look down onto the Via Krupp from up above. Perhaps it's a blessing that the Via Krupp is closed... if you went down, you would then have to get back up! In addition to the Augustus Gardens, you can visit the Charterhouse of St. Giacomo, built in 1371, one of the oldest structures on Capri. The former monastery and cloisters today houses a High School, the Diefenbach Museum and, during the summer, functions as venue for concerts and cultural events. Getting there
From Capri's Piazzetta: It is about 1/4 mile walk along Via Vittorio Emanuele, Via Federico Serena, and, finally, Via Matteotti. Click HERE FOR WALKING MAP Entry: 1 Euro. Open from 1 March to 15 November - 9AM–7:30PM Free for children under 11 Entry for both the Augustus Garden and Charterhouse of St. Giacomo - 3 Euro The best times to visit are early morning and late afternoon, when the gardens are less crowded.
Palio della Rana
The Palio della Rana is a frog race--well, sort of. It's a wheelbarrow race with frogs. It usually takes place the weekend after Easter in the town of Fermignano, between Urbino and Urbania in central Italy's Marche region. Contestants, representing each of the seven contrade (neighborhoods) dress in historic costume and race with frogs atop small wheelbarrows, trying to reach the finish line before the frog hops off. Each frog is placed on a blue wooden carriola (wheelbarrow). The scarriolanti (wheelbarrow runners) race to the finish line while trying to keep the frogs on their wheelbarrows. If a frog jumps off, the competitor must stop, place the frog back on the wheelbarrow platform, and then keep going. There's also a procession in historical costume and food. Rome's birthday The date of Rome's founding (in 753BC) is celebrated on April 21 so if you're in Rome, watch for festivals, concerts, and special events. There's usually a fireworks display over the Tiber River and gladiator shows around the forum area. Find out more in April Events in Rome.
Palio dei Buoi
In the towns of Asigliano and Caresana on April 23 (the saint day of San Giorgio) the Palio dei Buoi (oxen race) takes place every year. Historically in this area, oxen were used in pairs to tow the plow and to carry out other heavy jobs in the countryside. Both the Caresana and Asigliano races have been held for over 700 years. San Giorgio is the patron saint of farm workers. Recently, the race has been delayed due to protests from animal rights activists.
Festival of San Marco
The Festa di San Marco is a traditional celebration dedicated to Venice’s patron St Mark the Evangelist, believed to be the author of the Gospel of Mark. Several relics from the saint still remain in the city, who is also said to have founded the Church of Alexandria. Festa di San Marco is also known as the Rosebud Festival or Festa del bocolo (rosebud in Venetian dialect) where traditionally men gift the woman they love with a single red rose, to commemorate an old legend connected to the history of Venice. A highlight of the festival occurs in Saint Mark's Square on April 25 including a procession to the basilica. (See Liberation Day below)
International Handicrafts Fair
Since 1931 in Florence, the Mostra Mercato Internazionale Dell'Arginianto, the world's premier market of artistic crafts, will be held from April 21 through May 1. Spread out over 55,ooo square meters in the Fortezza da Basso, over 800 exhibitors from all over Italy and from 50 countries will display and sell their beautiful Italian and international handcrafted items. All sorts of crafts are on display including lamps, pottery, rugs, fabrics, musical instruments, masks and statues. There will also be food to enjoy and taste, with many artisinal products, wines, gelato and more.
The Race of the Ring
The Corsa all'Anello in Narni in Umbria is part of the celebrations held from April 24 through May 13 this year. During this medieval jousting competition, horsemen try to snare rings. There are also a historical procession and other events.
Artichoke Festival
The artichoke (did you know it is an aphrodisiac?) is the object of a three-day Festa di Carciofo (artichoke festival) held from April 12th through 14th in the coastal town of Ladispoli, just outside of Rome in Lazio. It's been a tradition now to honor the Roman Artichoke at this special festival. It forms the foundation of a wide selection of dishes created specially at this event. Visitors can sample the artichoke-related dishes on offer, which contain a delicious and unique combination of flavors. But the most interesting thing to see is artichoke sculpture competition. Entrants can create anything they wish, from boats to life-sized animals such as tortoises, horses and elephants!
San Biagio Day
San Biagio is the Patron Saint of Avetrana in Southern Puglia. He was known in his time for being a doctor and saver of lives, and for being the Bishop of Sebaste between the third and fourth centuries. He was also known for his firm religious beliefs, and unfortunately, these were to ultimately cost him his own life. Having been imprisoned for his Christian beliefs, he was put on trial and – having refused to renounce his faith – was beheaded in 316. April 28th and 29th sees a two-day celebration of San Biagio with a combination of sombre procession and later upbeat fireworks, luminarie (display of lights) and music from bands as well as street fairs, food and drink.
Liberation Day (National Holiday)
This year marks the 70th anniversary of the day that Italy was released from the Nazis and the rule of Mussolini by Allied troops. The following year in 1946, the first national holiday was held to mark this occasion. The country will come together to remember those that fell in the war and to honor the dead. In addition, there will also be festivals, concerts and bands to mark the day. In Venice, it will be a doubly special day – in addition to Liberation Day, Venetians will also be marking the Festival Of St Mark, the city's patron saint. Bands and musicians will provide a series of aural treats, while markets and carnivals will add to the fun. The famous boat race, Regata di Traghetti, will also see teams of gondoliers competing to win first prize while ferrying passengers. Monte Cassino, in the province of Lazio, is located 81 miles South of Rome is the site of the ancient Roman town of Casinum, but it is best known for its historic Benedictine Abbey that was a focal point for one the most bloody WWII battles. It was St. Benedict of Nursia who established this very first Benedictine monastery around the year 529. After months of battle and tremendous loss of life in 1944, the Abbey suffered extremely severe damage as a result of bombardment by the Allied Forces. After decades of extensive restoration, this architectural wonder and historic landmark once again attracts tourists and pilgrims from all over the world. The site has been visited many times by Popes and other senior clergy, including Pope Benedict XVI in May 2009. This modern rebuilding was not the only time Monte Cassino needed to be reconstructed. In 884 the Saracens sacked and then burned it down, and the Abbot Bertharius was killed during the attack. The monastery was subsequently rebuilt and reached the apex of its fame in the 11th century under the abbot Desiderius (abbot 1058–1087), who later became Pope Victor III. St. Benedict founded a hospital that is considered today to have been the first in Europe of the new era. Benedictine monks took care of the sick and wounded there according to Benedict’s Rule. Benedict founded twelve communities for monks at nearby Subiaco and hospitals were founded as adjuncts to the monasteries to provide charity. Soon many monasteries were founded throughout Europe, and everywhere there were hospitals like those in Monte Cassino. By the 10-11th centuries Monte Cassino became the most famous cultural, educational, and medical center of Europe with great library in Medicine and other sciences. Many physicians came there for medical and other knowledge. The site was also sacked by Napoleon's troops in 1799. After the dissolution of the Italian monasteries in 1866, Monte Cassino became a national monument. The WWII Destruction Curiously, during the Battle of Monte Cassino in the Italian Campaign of World War II, the abbey itself was not captured or used by the German troops as part of their fortifications. It was Albert Kesselring, the German commander, who wanted to prevent the historical site from becoming a victim of war. But the abbey fell directly on the Gustav Line, which stretched from the Tyrrhenian to the Adriatic coast in the east, a crucial boundary. Monte Cassino itself overlooked a main highway on the path to Rome. On 15 February 1944 the abbey was almost completely destroyed in a series of heavy American-led air raids, an order given by the Commander-in-Chief of Allied Armies in Italy, General Sir Harold Alexander of the British army. The order was based on erroneous reports from troops on the ground that Germans were occupying the monastery. After the abbey was destroyed, it was confirmed that the only people killed in the monastery by the bombing were 230 Italian civilians seeking refuge there. It was only until after the bombing that its ruins became occupied by a German paratrooper division, because of its excellent vantage point. The Abbey was rebuilt after the war; Pope Paul VI reconsecrated it in 1964. What to See at Montecassino Abbey Today Three war cemeteries were built: the "Cassino War Cemetery", housing the Commonwealth victims, the Polish Cemetery and the Germanic Cemetery. The basilica, richly decorated in stucco and mosaics, enshrines the relics of St. Benedict and his sister, St. Scholastica, which survived the bombings. The abbey museum displays medieval art and artifacts from the monastery and explains the history of monasticism. Montecassino Website When the Carnivale di Viareggio began, there was a modest parade of festively decorated carriages in the heart of the old beach side resort town. The carnival's roots go back to 1873 when the bourgious of the town were protesting high taxes. They decorated carriages in a mocking fashion to poke fun of politicians in power. At the beginning of the 20th century, the parade moved to the wide Promenade where its popularity as well as the festive floats continued to grow, until today the displays are gigantic in size--some over 60 feet tall! In 1954 the infant RAI TV broadcast the first ever live scenes of the carnival and in 1958 the event was covered throughout Europe on the Eurovision network. Due to their popularity and the floats growing dimensions, huge aircraft style hangers were built to store and construct them on Via Marco Polo. The Carnival in days past In 2001 the new, 800 foot long, elliptically shaped Cittadella del Carnevale was opened, an extraordinary architectural complex entirely dedicated to the creation and preservation of the Carnival of Viareggio. It's "Hangers" (still the term used) are immense, and while each bay's door is about 45 feet tall, the finished floats can be even taller--up to 60 feet--with their top parts being added by dedicated cranes after they are rolled out of their hangers. Today the Viareggio Carnival claims to be the largest Italian folk event with a budget of € 5 million per year. The "Hanger" itself is also used for concerts and other public events throughout the summer. Every year during the Mardi Gras season, the Carnival of Viareggio is live on national television (RAI 3) bringing its color, pageantry and humor to millions. Many famous celebrities, sports figures and even politicians come to Viareggio to admire their cartapesta (papier mâché) effigies, some poking polite fun, others with more blatant political or social commentary. The Carnival lasts for an entire month's worth of both daytime and nighttime festivities with parades of allegorical floats, local parties, masked balls and festivals. The sociopolitical commentary and satire is obvious (and sometimes shocking) in the design of many floats. The main ingredient of the flats are characters--animals, people, monsters and characters from the likes of Swift, Andersen, the Brothers Grimm, Disney or even from popular films and graphic novels (comic books). The floats are usually accompanied by dozens of dancers and singers, and believe it or now, these huge creations are animated! (The videos below are worth watching... Cast or Stream onto your smart TV to watch the entire parade). Viareggio is on the northern coast of Tuscany, about 12 miles north of Pisa and would be a wonderful way to spend the Mardi Gras season in Italy. Carnivale di Viareggio website. --Jerry Finzi
One of the most beautiful towns we visited in Puglia was Polignano al Mare. We walked the old historic center, took lots of photos, and were amazed by their beach, hugged by rocky cliffs of the Saracen Cove on either side. One of the most unusual offerings is the Grotta Palasezze, a restaurant built into a large grotto hanging just meters over the sea. If you frequent pretty much any social media sites about Italy, I'm certain you've seen photos of the place. It's definitely jaw-droppingly beautiful.
To be honest, Voyaging with an eleven-year old, we decided not to go there for dinner. You see, I had researched this place before our Voyage ever started. Not simply because we thought it wasn't kid-friendly (it really isn't), and not because our (then, 11 year-old) son Lucas wouldn't enjoy it. In actuality, he has a very sophisticated palette and handles him self very well whenever we go to posh places. We're always given compliments about him--ever since he was a toddler. There were two other main reasons...
One is the price. This place is very expensive. You're paying for their uniqueness and the view. They charge €10 per person for cover. They'll charge you €50 for a €10 bottle of regional wine which you can usually find in a local alimentari for around €6, but the rest of the wine list will cost from €100 - €600 a bottle. (We tend to like moderately priced, good wines and never pay over-inflated restaurant prices when we can avoid it). You'll pay another €45 or so for a single serving aperitivo. Then another €45 for la primo of pasta or risotto and €45 per secondi--fish or meat entrees. And be careful about surcharges ("market price") for things like shrimp and prawns (up to €150 a pound or more!) If you want to have a six plate tasting menu instead, that'll set you back €140 each. For dessert, a semifreddo is about €15.
So, given the exchange rate when we were there, if we did three tastings, one bottle of mineral water, desserts and no wine, we still would have spent over $600! The second reason we opted no to go? This place is way too formal for our tastes. I mean, the waiters usually are dressed better than the clientele. There is an old-school dress code in place here... but the odd thing is, they really don't enforce it (for nicely dressed people), otherwise they'd be turning away most of the more casually dressed tourist clientele. Just don't show up wearing shorts. They will turn you away with a real attitude, reservation or not. This is the new millennium, after all. "Dress codes" are pretty much meaningless, so why should the wait staff have to dress so darned stuffy, too? It's damned off-putting. Besides, if I'm going to be paying such over-inflated prices, I should be able to dress any damned way I want. In reality, you get an odd mix of tourists dressed nicely but casually, mixed in with a few locals dressed for their "bella figura" having dinner for a special event--anniversary or whatever. And in the end, there are two things that prove this is an overpriced place marketed to foreign tourists: The menus are printed in both Italian and English--a sure sign of a tourist joint. Secondly (according to many online reviewers, and perhaps most important of all), the staff tends to rush you along through your meal, unlike most ristoranti. It's the Italian custom never to rush through a meal--especially when you're in a restaurant. Most local places expect to have only one cover per table each night. People may take 4 hours to enjoy their meal and conversation. At Grotta Palazzase they are trying to move you out of the way so they can have at least two sittings each evening, perhaps as many as four. Not very Italian of them, is it?
As it turns out, we still enjoyed the views of the sea at a chic bistro-pizzeria at the other end of the little bay, and had wonderful wine, fantastic aperitivi, the best pizzas in all of Italy and amazing desserts--all for around €60 for the three of us--at Terazza Pizzeria.
In the end, if you really want to have the experience of dining in Polignano al Mare, try the Terazza Pizzeria (very affordable, casual), or Il Bastione (affordable, casual) with an outdoor dining terrace hanging on the cliff above the Cove. It has a dramatic view of the Cove and its houses clinging to the cliff with a more affordable and diversified menu. (How does €60 for two sound?) The views will stay with you forever--along with most of your cash! If one compares the photos of the dishes served in Il Bastione and Grotta Palasezze, you'll see the quality looks very similar. This is Puglia, after all... most places serve wonderful food--especially from the sea.
Il Bastione, above - Grotta Palasezze, below
But if you're really hell bent on eating dinner in a cave, I suggest taking a drive to Matera, the Sassi city, where most of the restaurants in the Sassi district are in caves. No sea view, but still a great, romantic experience, especially if you take a passeggiata (stroll) down to the Piazza along the edge of the gorge at sunset.
Buon viaggio! --Jerry Finzi |
Categories
All
Archives
May 2023
|